tag:blogger.com,1999:blog-63924891891367214022024-03-13T03:18:01.747+00:00TOO DANGEROUS FOR A GIRL!Twitter: @DangerousTooMartin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.comBlogger1992125tag:blogger.com,1999:blog-6392489189136721402.post-18470889291241812382018-06-30T12:25:00.012+01:002018-06-30T12:40:30.819+01:00https://dangermart.blog/<p><img src="https://lh3.googleusercontent.com/-nEP-9dUNZwE/Wzdr6BNwPXI/AAAAAAAAeww/M5aQteloXH8xBSx1bQ_oolt7wzo-v_OcwCHMYCw/%255BUNSET%255D" alt=""><b><br></b></p><p><b>Too Dangerous For a Girl</b> has moved to new premises. </p><p>Please head for the Wordpress site at:</p><p><a href="https://dangermart.blog">https://dangermart.blog</a></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-65833222213410126462018-06-26T21:05:00.005+01:002018-06-26T21:25:00.156+01:00Moving day<p><img src="https://lh3.googleusercontent.com/-GF4LckGxrXo/WzKcnWZoQvI/AAAAAAAAeuw/EWPudEeei7sTIlsSm-GyAdkmSdpTUZK6ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Well, after nearly a decade this blog is moving. It’s goodbye Blogger, hello Wordpress. A few years ago Google basically stopped updating the Blogger platform and it’s been getting harder to publish posts - for the last couple of years I’ve had to use third party apps in order to keep going. A couple of weeks ago Blogger stopped notifying me when new posts received comments, and it seemed clear the end is nigh. I don’t know how long Blogger will survive, but I’m jumping ship before I lose all the content. I’ve thought about moving to Wordpress previously but risking the loss of my posts and your sharp comments terrified me; also, it all seemed a bit technical. </p><p></p><p></p><p>But Wordpress have reworked their instructions and I managed to understand it, so, as of tomorrow new posts will appear at <a href="https://dangermart.blog">Too Dangerous For a Girl 2</a>. I haven’t quite worked out how to get images under front page post snippets, but will likely get there. Meanwhile, I’d be thrilled if you would join me there - there’s a Follow button at the new blog. </p><p><b><i>Never the end!</i></b></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-47040263100819677662018-06-21T21:22:00.027+01:002018-06-21T21:54:52.983+01:00Justice League of America #2 review <p><span id="selectionBoundary_1529612579125_12704508508590728" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-ObIFMF3mPYg/WywJa2BTgdI/AAAAAAAAeqE/fk8sUCRI4Jw92D35c3DL7CrhscTV3VoRQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Three months ago, Lex Luthor visited a few of late father Lionel’s old mates. It didn’t go well for them, but Lex had a revelation. </p><p><img src="https://lh3.googleusercontent.com/-BwSYVK8thyQ/WywK0aw6ugI/AAAAAAAAeqQ/yLuAyeTbkR4mGzF3UorWqX_qC9gekWFIgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Today, in outer space, Green Lantern John Stewart’s daily grind is interrupted by Batman. </p><p><img src="https://lh3.googleusercontent.com/-JUeftNE96AQ/WywLF6cvljI/AAAAAAAAeqY/gc6qkqyTyVsB9HHe4cV99tTdjGhLPP3tACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Meanwhile - literally, Batman is talking to John via a surprise guest good guy while attending to Earth-based business - outside Belle Reve prison, the members of the new Justice League are fighting a massively mutated Killer Croc. He’s been transformed by the escapee from the broken Source Wall they’re calling the Totality. While the League is up to stopping Croc’s rampage, getting to the heart of the Totality mystery is another matter altogether. </p><p>And at the new Legion of Doom’s underwater HQ, Lex Luthor is explaining his plans, plans borne of his Kansas sortie, to his fellow villains. </p><p><img src="https://lh3.googleusercontent.com/-iQ6lvORcDZw/WywLSgSdwoI/AAAAAAAAeqc/7xMjEAwk1xcQ0mlia0L5haszLJnmm-fdwCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-LGPRqILJjtM/WywLf8TPdDI/AAAAAAAAeqk/eKIS-jXn1sMPxhAcrmD300QiY9A5jb3kwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>A baldie baby! Lex Luthor Jr? A cloned Lex? Probably not - what this band of evildoers needs are more counterparts to the Leaguers. We have Aquaman, Superman, Flash, Wonder Woman, Green Lantern and Batman villains, but what about Hawkgirl and Martian Manhunter? Might the child be a baby Byth or a cuddly Commander Blanx? Colour me intrigued. </p><p>The baby is just one treat in this superb second issue from writer Scott Snyder, artist Jorge Jimenez and friends. There’s also that mystery hero in space I mentioned, reminding us that the cameoing character isn’t as firmly planted on Earth as he may seem. We get a villain returning to their Silver Age look and John Stewart receiving enormous respect at the very moment he needs a little succour. And much, much more: this comic is teeming with great character moments along with the crazy, yet coherent, overall plot set up by Snyder - what is the Totality and what does it mean for Earth? Green Lantern Hal Jordan has learned that the Multiverse is likely to be destroyed in a year’s time, can the League unravel and harness the cosmic traveller’s secret code to somehow save, well, everything?</p><p>The Lex sequence is a terrific opening to the issue, announcing that the wannabe hero of DC Rebirth hasn’t just left the building, he’s blown the whole darn thing up. It’s not the only splendid sequence though, I love this moment showing J’onn J’onnz’ wisdom. </p><p><img src="https://lh3.googleusercontent.com/-ycHj2Ksf3DY/WywLrQTYoSI/AAAAAAAAeqs/I076jtUS3HcMQ4S1y4O9IFfKL314a95BQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The dialogue is terrific throughout, lending distinctiveness to the heroes and villains. One thing I’m especially enjoying is that Snyder has gone old school with his storytelling, giving us an omniscient third person narrator who pops up occasionally to explain, underline, maybe tease... they get positively gleeful at the end. I like the tone a lot and hope Snyder sticks with it. </p><p>Likewise, I hope Jorge Jimenez sticks around on the art. Jim Cheung was the big name on the first issue, and I think he’s back for #6, but for my mind I’d have been thrilled with Jimenez from beginning to end. His storytelling is first rate, while his character designs are always a delight. Here, J’onn gets a tweak, he’s skinnier than is usually the case, making him stand out even more than a massive green Martian would. As seen in Jimenez’ Super Sons run, his art has a rare combination of liquidity and strength which just looks exciting on the page. And even though we see the Totality’s Earth appearance early in the issue, when it shows up for real it’s properly awesome. </p><p>Partnering Jimenez is colourist Alexander Sanchez, whose blazing blend of hues keeps the pages popping without ever giving us a headache. How team book colourists manage to find background tones that complement, rather than clash with, the foreground characters is a mystery worthy of the League, but manage it Sanchez does. I hope DC has this chap on standby for the inevitable return of the Legion of Super-Heroes... On the lettering side, Tom Napolitano eschews the faffy fonts so fashionable today, keeping things clear, but stylish. </p><p>The cover by Jimenez and Sanchez is lovely, and could easily have gone on last issue’s debut edition. More of this kind of thing!</p><p><img src="https://lh3.googleusercontent.com/-RTqGUxBRNiY/WywMiqO1MoI/AAAAAAAAeq8/74g0vTajenQ1Rkuu0r5uArjwnRh8BHPRwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>There’s also a variant by Jim Lee, Scott Williams and Alex Sinclair and it’s a powerful piece, but could J’onn <i>please</i> lose the daft loincloth? No, no, I don’t want him flashing his Martian Manhood, give the guy his trunks back. If they’re good enough for Superman...</p><p>////</p><p><b><i>Justice League #2 review, Scott Snyder, Jorge Jimenez, Alejandro Sanchez, Tom Napolitano, Legion of Doom</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-867242386439772352018-06-20T21:07:00.017+01:002018-06-21T21:20:03.703+01:00Man of Steel #4 review<p><img src="https://lh3.googleusercontent.com/-UrgkVlQMPB8/Wyq0F_QNiFI/AAAAAAAAepQ/D9H15xjlgPIFhFmDZdFgpMhLg6WUv71dgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Superman and Supergirl are fighting mad. They’re face to face with the creature who destroyed Kandor and while their instincts are to pummel him, the alien brute has chosen Metropolis as the battleground, meaning every blow thrown puts lives at risk. </p><p><img src="https://lh3.googleusercontent.com/-0H8zLxUzlcY/Wyq1Pt7KG0I/AAAAAAAAepY/VrG5stEoV_odcbynAdju_9qpqFTf4aGegCHMYCw/%255BUNSET%255D" alt=""><br></p><p>While the monster whose name he doesn’t know is caught up with Kara, Superman takes a few seconds to assess the situation. </p><p><img src="https://lh3.googleusercontent.com/-asnM1_7coNs/Wyq1ZS808II/AAAAAAAAepc/_Xeh4NPBcXoQVxe-RL3IUzbRGSaIbxGwgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Before Superman can properly parlay his greater knowledge of the power-giving properties of Earth’s yellow sun, though, his opponent goes into hiding. Green Lantern arrives on the scene, keen to help. </p><p>And there’s more. Lots more in the best issue yet of what has been a much stronger mini-series than I expected. Once more, new writer Brian Michael Bendis proves he gets Superman, whether it’s our hero numbering his punches, rating them for likely effectiveness, or using that formidable mind to ‘play Batman’. </p><p>And it’s great to see Superman’s constant concern for the public in a chapter that fits nicely with Bendis’s pages in Action Comics #1000. Two people he doesn’t consciously think about are wife Lois and son Jon - I suspect he’s trying to keep them at bay as he can’t currently do anything about whatever their situation is, and right now he can’t afford to be distracted by his emotions. But as the most important part of his world, of course they impinge upon his thoughts, meaning we finally get to see who appeared in the Kent apartment, presaging Lois and Jon’s absence from Clark’s life. </p><p><img src="https://lh3.googleusercontent.com/-1xKJtY1I_eA/Wyq2ZiTYqvI/AAAAAAAAepo/6_wKJvQE1kACxcdV_un4QWzbvXLjHAFkwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Oh, that guy. All right, I hated the Mr Oz arc in Action Comics, but as the situation with Jor-El was never resolved there, and this storyline turns on the claim that villain Rogor Zaal murdered Krypton, it makes sense for him to show up. And if he’s taken away Lois and Jon for awhile, fine, he’s not about to hurt them; I can relax a little and look forward to their return. Mind, I’m not sure what to make of his apparently having forgotten he’s met Lois and Jon previously, or Lois also acting as if it’s their first encounter. Only Jon has his memory intact. </p><p>Supergirl doesn’t have much to do this time, but she’s around, presented as Superman’s trusted equal, and that I love. Perry and Jimmy are present to see the big fight, and on good form. New reporter Robinson Goode, a spy at the Planet, doesn’t even try not to be annoying. </p><p>It’s interesting that Rogol Zaar doesn’t say a word during the fight, as if Bendis is having fun with his reputation for chatty villains. But when the alien does speak...</p><p>Here’s my favourite panel. </p><p><img src="https://lh3.googleusercontent.com/-rQNBtQu8la4/Wyq2l3b9nmI/AAAAAAAAeps/w13ORQITvoc2kkRO-YRIu8iSkLLzxsjkQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>There’s Superman, frightened for the citizens of Metropolis. Supergirl focused on Zaar. Green Lantern as cosmic cop cum bureaucrat. Special Crimes Unit chief Maggie Sawyer trying to control the scene. And the public, somewhere between panicked and proud. It’s a fine Day in the Life of Metropolis vignette. </p><p>And like most of this issue - Jason Fabok draws the Lois and Jon interlude, as ever, and does a tiptop job - it’s a moment wonderfully illustrated by Kevin Maguire, who brings his trademark mastery of emotions to a story that demands it. The last few pages are especially strong, so far as helping us into Superman’s head is concerned. I’m not a fan of wordless tales, but if Bendis had scripted a silent issue, putting poor old letterer Josh Reed out of work, Maguire could have sold it to me. There’s a nice pair of bookend splash pages mirroring one another, coloured with class by Alex Sinclair. It all bodes very well for Maguire’s upcoming work on the Supergirl series. </p><p>This chapter does seem to end with the return of my least-favourite super-power but if Superman has indeed resorted to that, next week’s continuation is going to see him in a massive pickle. Excellent, let’s keep the stakes high, making Superman’s inevitable triumph all the sweeter. </p><p>Once again, the cover is evocative more of Superman’s life story than a particular chapter, but I never tire of seeing he and Lois happy, and it’s a gorgeous image by Ivan Reis, Joe Prado and Sinclair. </p><p>I’m enjoying this mini-series hugely, for its balance of action and character moments. I’m hoping for a satisfying wrap-up of the Rogol Zaar plotline, which we know acts as a springboard for the new Supergirl run. As for what’s next for Clark and co, I can’t wait to find out. </p><p>////////</p><p><b><i>Man of Steel #4 review, Brian Michael Bendis, Kevin Maguire, Jason Fabok, Alex Sinclair, Ivan Reis, Joe Prado, Josh Reed, Superman</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-66408142095526625672018-06-14T13:05:00.019+01:002018-06-14T13:22:15.214+01:00Titans Special #1 review<p><img src="https://lh3.googleusercontent.com/-ibu-IErL_Bc/WyJZtGRSVDI/AAAAAAAAeoI/XGvmyxHA58s66I1jnTKuTCbnJVuhLjR-QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The Source Wall is broken. The Titans are broken. Why not bring the two problems together and see what happens? That’s the concept for the latest relaunch of the senior Titans team, set up in this extra-sized special before it’s rolled out into the regular series. The Source Wall energy is causing new metahumans to appear at a rate of knots and Nightwing’s New Titans are taking on the responsibility of finding and helping - or stopping - them. </p><p>The book opens with Titans lifer Nightwing chasing a young woman on a subway train. She’s not a villain, but her powers are out of control and Dick Grayson is afraid she’ll hurt someone. It turns out that she’s so panicked by being chased by Nightwing that she jumped out of the train and into the path of another. Good job, Dick. </p><p>Nevertheless, when Nightwing presents himself to the Justice League to tell them he’s setting up a new team of Titans to track down the ‘Emergents’, they say they’ve total faith in him. It turns out they’d already decided he’d head a Justice League sub-team doing just that. There’s a coincidence... or Martian Manhunter mind control. </p><p>OK, probably not, but the J’onn Jonzz presented here certainly seems a tad more dickish than, well, ever. </p><p><img src="https://lh3.googleusercontent.com/-AMbWr2meCYw/WyJa7yDOvrI/AAAAAAAAeoQ/WJrpzeiiq7IAk2D_WGCbJqnAyic3rdHjQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Nightwing spurns the wall of suggested members the League has helpfully prepared, he has his own list. </p><p>There’s Raven, who’s just off Damian Wayne’s Teen Titans. </p><p><img src="https://lh3.googleusercontent.com/-OT8V7bYx1yU/WyJbQy5Gy_I/AAAAAAAAeoY/7e58aLAy2cAn4LOpPIyPqHZPvz9-8rGNACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Beast Boy, who’s been unable to control his powers since the No Justice event. </p><p><img src="https://lh3.googleusercontent.com/-wY9AOXe4jTo/WyJbeN6X6xI/AAAAAAAAeoc/HSh1GnfJgmEfi2T8kHlzHsHr73ks_MApwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Donna Troy, who’s turned to drink after learning her latest origin, and being confronted by an eeeeevil future version of herself. </p><p><img src="https://lh3.googleusercontent.com/-EMM61B7RaPw/WyJbq13mXFI/AAAAAAAAeok/Qj8vvUHB2AMi1ATPSti6ndal20APBjiGwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Natasha Irons, the female Steel, who needs something to distract her from her break-up with street sorceress Traci 13. </p><p><img src="https://lh3.googleusercontent.com/-w9s0MxHwetk/WyJb0xU6UsI/AAAAAAAAeos/u3LLO2Vxd7Uc6eUJA-0ZwOaYJOzff3j-wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>And Miss Martian, who’s there because, well...</p><p><img src="https://lh3.googleusercontent.com/-LzeZjJXFi7c/WyJcCOT7wxI/AAAAAAAAeow/f1mJNw7fyGkLRzCVtgPv2GI4TS1mZ_HzgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Which makes no sense. Every hero Dick has approached has a longer history of fighting evil than Miss Martian. Didn’t I tell you J’onn was being weird?</p><p>But DC is currently asking us to accept that the most recent Titans team was a pack of loose cannons who couldn’t be trusted, who needed some kind of Justice League supervision, so here’s Miss Martian with her membership of the League reaching back to, oh, never, turning up as supervisor. Heck, she’s barely appeared with J’onn, never mind been his protege. Suddenly I dislike a character I’ve always enjoyed, since her days in Geoff Johns’ Teen Titans, a period apparently wiped out by Flashpoint. And that new costume, gosh, it’s a downgrade from her cute white outfit. </p><p>So, I’m not a fan of the Titans becoming ‘an official response team of the Justice League’. I don’t like the angst of Donna Troy, Natasha Irons and Gar Logan (even without the new angle, I’m utterly sick of Beast Boy). Teams being set up with firm motivations rarely work (X-Factor, Extreme Justice, the New 52 Legion Lost...). Donna’s apparent acceptance of the League line that the friendship of the original Teen Titans became a negative is just bizarre. And the surprise villain who looks like he’ll be around a while is a real loser. </p><p>This new direction seems ill-conceived in so many ways that I can’t see the revamped book becoming an instant favourite. But Dan Abnett is a fine writer, if he can subvert the (I have no doubt) imposed-from-high direction Titans could be a good read. There are certainly moments in this special I enjoyed, such as Dick’s faith in Donna, a superb scene showing Raven tackling an emergent and the respect given Natasha Irons. </p><p><img src="https://lh3.googleusercontent.com/-LznJ-lYAfMY/WyJcTmdxxAI/AAAAAAAAeo8/UhOxazK6RRQ7g28yRYWivIflO6BBZCDRACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Plus, the art, by a murderers’ row of talent, is eye-catching and the sheer number of contributors doesn’t detract from the story - gathering the team issues allow for a mix of visuals. The Donna and Dick vignette by, I think, Nicola Scott is stunning for what’s basically pages of two people talking. And the editorial team of Paul Kaminski and Rob Levin under Marie Javins suggests quality. So I’ll give this run a shot - this issue’s excellent cover artist, Brandon Peterson, and Ryan Sook are apparently drawing the revamped series - and hope for the best. And if it doesn’t work out, the Titans will almost certainly (remember when we were never without at least one Legion of Super-Heroes series?) get another crack at stardom. </p><p>//////</p><p><b><i>Titans Special #1, Dan Abnett, Nicola Scott, Sergio Davila, Vicente Sifuentes, Brian Ching, Max Raynor, Ben Oliver, Matt Santorelli, Brent Peeples, Brandon Peterson </i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-87243114194170004232018-06-13T23:23:00.012+01:002018-06-13T23:47:52.690+01:00Man of Steel #3 review<p><img src="https://lh3.googleusercontent.com/-bu7j8KsUXV0/WyGacyTG-KI/AAAAAAAAenE/n-OQVHc-5QwfWLKjcrfw0BT1fdEzfMtcQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Having discovered that at least one Kryptonian survived the destruction of Krypton, alien zealot Rogol Zaar heads to Earth, where he ravages Superman’s Fortress of Solitude. He’s apparently been doing research, because he’s not surprised to find the last surviving city of Krypton, shrunk and placed inside a bottle. </p><p><img src="https://lh3.googleusercontent.com/-qB9N4IKsh7Q/WyGanXdCjqI/AAAAAAAAenI/2sip9hoDvvMHd_kqAHYFFO80RyM7nYccACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Meanwhile, in Metropolis, Batman has arrived to help Superman and new fire chief Melody Moore investigate a spate of fireraising. Suddenly, Superman is called away. </p><p><img src="https://lh3.googleusercontent.com/-PJskgdJqe3A/WyGcwTfWtJI/AAAAAAAAenY/gl4Ljf-RpUsKg8hW8BWImpgiwoAHD4PewCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The Fortress has been devastated. Guardian robot Kelex can likely be repaired but it seems Zaar has murdered thousands. Supergirl arrives to find her cousin on the brink of falling apart. </p><p><img src="https://lh3.googleusercontent.com/-oidbHhkxYXM/WyGc4b3gkcI/AAAAAAAAenc/ZeucQM6b-0sahGHN8k7EzdewUO1-g23RACHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-_h7zpKvqi-g/WyGdLr-OWzI/AAAAAAAAeno/WQtLUGeEMVMnyLhMbbBbK7QzNz_A73XpACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Terrified at what such a foe might do next, Superman gives Kara advice. </p><p><img src="https://lh3.googleusercontent.com/-WRs9O0U67wg/WyGdTU1bs5I/AAAAAAAAens/EsY8V1UThUUPLulgO3BFDrDYEtaeyQMEgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>He heads to Metropolis, deducing that his unknown foe wants a show fight. He’s up for it...</p><p>... have the people of Kandor really been annihilated? It certainly seems so, in which case that’s a big strike against new Superman writer Brian Michael Bendis. I’ll reserve judgement, as I can’t believe he’d fridge an entire people simply to convince those of us who aren’t buying that Krypton was destroyed by Rogol Zaar that this monster is the biggest threat Superman and Supergirl have ever faced. As this issue’s recitation of lesser-known Kryptonians shows, Bendis has done his research, which means he’ll have read the classic Superman #338, in which the Metropolis Marvel did indeed enlarge Kandor; that tale was called ‘Let My People Go’ - it <i>has</i> to resonate with the famously Jewish writer. </p><p>Let’s look at the rest of the story. I didn’t mention in my recap that we see another second of the recent day something terrifying appeared before Clark, Lois and Jon because it interrupts a narrative that’s getting really interesting. Frustratingly, most of the page is taken up with what we’ve already seen. Apart from that, we get this. </p><p><img src="https://lh3.googleusercontent.com/-gIQWLF_JTdg/WyGdcGpgoZI/AAAAAAAAen0/05rBJEwnOF8oRkoFtPJt1AMil5ETCO_VwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Brainiac? Has he taken Lois and Jon, shrunk them in a bottle? That would certainly explain why the apparent destruction of Kandor motivates the memory. Or perhaps it’s the long-unseen Kryptonite Man, also bald, and given to emanating a green glow. We’ll know soon. </p><p>On the one hand, I love the quickly established love between Kara and Kal. On the other, we have this panel:</p><p><img src="https://lh3.googleusercontent.com/-8PaS6JV6y5Y/WyGdm6lfPDI/AAAAAAAAen8/ZsCfwcD_iPkdUgU7UhnFvBxJI9LjPH0ugCHMYCw/%255BUNSET%255D" alt=""><br></p><p>It’s as if Bendis hasn’t read any of the last Supergirl series, which went on hiatus with #20 - Supergirl currently has adoptive parents, a sorta boyfriend, school pals, various DEO associates... </p><p>I think my favourite scene this time is Superman arriving in Metropolis, working out what his enemy is up to; it’s a nice example of our hero’s intelligence. </p><p>I don’t care about the arson business, it seems too mundane a pull on Superman’s time - the new fire chief knows what she’s doing. Otherwise, and assuming the Kandor bit is a feint, this is another excellent issue, furthering the Rogol Zaar storyline while bringing Supergirl into the story and taking it for granted that she’s her cousin’s partner, not his junior. </p><p>Jason Fabok returns to do the Jon and Lois flashback, with the rest of the issue pencilled by Ryan Sook. And boy, is it gorgeous. The compositions serve the story while Superman looks amazing - ridiculously handsome, but approachable. Supergirl seems slightly older than she’s looked in her own book, but not off-model. I hope this approach sticks, because I’ve always liked Supergirl as a young woman rather than a mid-teens heroine. </p><p>Sadly, the Jim Lee-designed Rogol Zaar still looks dumb, like Doomsday kitted out in Lobo’s cast-offs (a skull belt buckle, really?). I can’t see him becoming a classic villain... mind, I said that about the utterly stupid Bane, and look what happened there. </p><p>While most of this issue is fully illustrated by Sook, Wade Von Grawbadger inks three pages, and they match the rest of the story well. Alex Sinclair’s colours add mood and impact, while Josh Reed letters with style. The cover by Ivan Reis, Joe Prado and Sinclair is lessened by cheesy copy, but it’s a decent enough image. </p><p>We’re halfway through this mini-series and it certainly has my attention. I just hope Bendis doesn’t become known as ‘The maniac who killed Kandor’. </p><p>//////</p><p><b><i>Man of Steel #3 review, Superman, Brian Michael Bendis, Ryan Sook, Josh Reed, Jason Fabok, Alex Sinclair, Ivan Reis, Joe Prado, Supergirl, Rogol Zaar, DC Comics</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-83695561459084863662018-06-13T18:08:00.008+01:002018-06-13T18:18:15.772+01:00Hawkman #1 review<p><img src="https://lh3.googleusercontent.com/-ZtoqZMtaAT4/WyFPZKZW0mI/AAAAAAAAemY/qWUJBWeYXNY-BmGhWHCl_iqO-DO_vIPAgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>It’s not often I agree with the monster attacking a superhero but the humongous gorilla in the latest Hawkman first issue has a point. </p><p><img src="https://lh3.googleusercontent.com/-Y9C9ykyQGO4/WyFPol2hliI/AAAAAAAAemg/WN6D438FHZc4mbGnr0h0mAG3X84hM3lvQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Carter Hall <i>is</i> just outright nicking something that doesn’t belong to him. Yes, he tells the Guardian Golem he’d return ‘the Nautilus of Revealment of Ooahk Kung’ once he has what he wants from it, but that’s <i>after</i> he’s grabbed it and tried to get away; he might have tried explaining why he wanted it first... all these mystical temples have baked-in avatars you can have a chat with. </p><p>Still, it all makes for a terrific chase sequence, introducing the latest version of Carter Hall to the DC Universe via smart narration and smooth action. Writer Robert Venditti gains a million points for not going anywhere near the Dark Knights: Metal event, which brought this version of the Winged Wonder to the table, in his script. Everything we need is here, as Carter Hall bids to gain the knowledge of his former selves. </p><p>And once he’s dispatched the Guardian Golem who, it must be said, puts the flying monkeys of Oz to shame, Carter heads for London’s Soho, where he seeks help from one of the DC Universe’s foremost mystics. </p><p><span id="selectionBoundary_1528909756608_11419618135255993" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-6-gzkdruiko/WyFP5ipJkwI/AAAAAAAAemo/iRRWFJTW0v4IBTSKkgB5U7nZwVsB8PdXwCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-DjF600hQ8f8/WyFQEsE_VeI/AAAAAAAAems/LpjvMDjyq5Y9vxtPQshdgbFACLPiuSx9QCHMYCw/%255BUNSET%255D" alt=""></p><p>I suppose it’s dress-down Friday. Why she’s relocated from New York to London I have no idea, but Madame Xanadu began as a Brit, and it’s good to have her back (Venditti even has her say ‘Give us a hand’, that’s <i>very</i> UK). I just hope she remembers that she’s supposed to be bewitching and mysterious before she shows up again. Grab a gown, woman - who wants a mundane Madame?<br></p><p>I won’t berate artist Bryan Hitch as he gets so much right, giving us a Hawkman who has an air of classic artist Joe Kubert’s style while claiming him as his own. The costume tweaks work, giving the ancient Egyptian prince a sense of the modern. As for the spreads which helped make Hitch’s reputation, there are a couple here and they’re downright awesome - one looking to the past, the other, a very dark future. I do wish Hitch had given us a look at Hawkman’s apparently now-retractable wings doing their thing, and shown how the costume clasp manifests the outfit, but maybe next time... </p><p>I don’t know the breakdown of work, but the credits tell us Hitch inked some pages, Andrew Currie the rest. Whoever did what, both men deserve massive credit for sharp storytelling. Alex Sinclair adds a further level of reality with his colours, while Richard Starkings and Comicraft provide varied fontwork without getting silly (>ahem< Metal). </p><p>The story that begins here is very intriguing, setting up a doomy future Carter must prevent. Indiana Jones-style thievery aside, Carter, as written by Venditti, is an appealing hero - gutsy, smart, searching for meaning and good with a bird metaphor. <br></p><p><img src="https://lh3.googleusercontent.com/-LCUIshYSsrA/WyFQboIkqqI/AAAAAAAAem4/1gbd4W9tbYcTrYOtv_lyyeLimwIaSDRfwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Stjepan Sejic’s variant cover adds a touch of majesty to an exemplary first issue. If the current creative team sticks around, this series should fly off the shelves. </p><p>/////</p><p><i><b>Hawkman #1 review, DC Comics, Robert Venditti, Bryan Hitch, Andrew Currie, Richard Starkings and Comicraft</b></i></p><p><br></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-65573891708500594652018-06-13T15:33:00.016+01:002018-06-13T15:48:19.649+01:00Plastic Man #1 review<p><img src="https://lh3.googleusercontent.com/-u1Z6k2mxNNo/WyErOrBZynI/AAAAAAAAelw/UgM__jYCrTg-dZn0GXvfYfUOSddSJJIHQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Can you judge a book by its cover? In this case, I’d say yes. Aaron Lopresti’s image shows a gangster’s moll looking sour as a patsy bleeds out in an alley and wiseguys look back at their handiwork. Plastic Man looms over all.</p><p>Inside we get pretty much that same scene, with the absence of a costumed Plas. The shapeshifting sleuth is there, but he’s the victim - Eel O’Brian. The reformed criminal has resumed his old look to draw out the former associates who left him to die after a safecracking job went badly wrong, leaving him with a bullet wound and a security guard dead. Along the way he somehow became ‘some weirdo made of used gum’. </p><p></p><p>That same quality means that despite all the cracked bones and blood, Plas survives, to track down the bad guys. </p><p><img src="https://lh3.googleusercontent.com/-DR9XFYkdyNg/WyEsKyws9XI/AAAAAAAAel4/4vMj7XC7jXY-wlc6YfbW_4hDQkAtRVRywCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The Wonder Woman nod is a nice moment, but it’s the only scene I really like in Gail Simone’s script. Simply put, this isn’t the book for me. I realise that back in the Golden Age, creator Jack Cole’s Plas could go to some pretty dark places, and that we’re decades from those days, but I <i>really</i> don’t want a hero talking like this. <br></p><p><img src="https://lh3.googleusercontent.com/-6mN6o72ffzA/WyEsUF9AE8I/AAAAAAAAel8/DeXMd6SY7a0c5rY0JzxZ1v3lfdh33sS_ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>There’s also a running gag involving a slang word that isn’t so much near the knuckle as somewhere a little more private, a suggestion of super-manhood and a general sense of sleaze that isn’t for me.</p><p>Adriana Melo is an artist I’ve enjoyed across many a DC book but her art doesn’t suit Plastic Man. Plas requires a smooth approach, and Melo seems uncomfortable drawing the character. </p><p><img src="https://lh3.googleusercontent.com/-pam5lKcqMIg/WyEsd3O_XOI/AAAAAAAAemE/Wxs4MGyuZ2wuIXSBPFa5gOWbDBg0E8x5wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Which is a shame because everything else in this first issue looks great, even Plas when he’s in civvies. And while I don’t like the subject of one such sequence - the gangsters brutalising Eel - there’s no denying Melo’s facility with silhouettes. </p><p>She’s aided by the colours of Kelly Fitzpatrick, which capture the urban environment of Cole City, occasionally brightening for dramatic effect. And the letters of Simon Bowland complement the art nicely. That cover by Lopresti is well done, for what he’s been asked to draw, while the variant by illustrator Amanda Conner and colourist Dave Johnson evokes the fun book I’d <i>like</i> to be reading. </p><p><img src="https://lh3.googleusercontent.com/-wTaR0kQPZ7M/WyEspa1kPwI/AAAAAAAAemM/CybmWmcR26MrVvZjnDmXErYmGAmHCoV3ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Simone sets up an intriguing storyline involving spy organisation Spyral and possible corruption within the big super-teams, so I may be tempted back, but right now I’m not committing to this six-issue mini-series. Plastic, yeah. But outright tacky? No thanks. </p><p>//////////</p><p><b><i>Plastic Man #1 review, Gail Simone, Adriano Melo, Kelly Fitzpatrick, Simon Bowland, DC Comics </i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-38381317248659042032018-06-07T22:20:00.027+01:002018-06-07T23:11:49.665+01:00The Unexpected #1 review <p><img src="https://lh3.googleusercontent.com/-7_TyASEn85c/WxmhqKhnJRI/AAAAAAAAelI/_MKN5zBosHAhWvUcmPMewYLoRqF_3lc8ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>In Mammoth City, the metahuman Firebrand is beating up Killer Croc. She doesn’t pick fights, but she’s grateful for them, having been brought back to life after the Dark Knights: Metal event got her killed. </p><p><img src="https://lh3.googleusercontent.com/-trYQRn_RbJU/Wxmi29xo5LI/AAAAAAAAelQ/Y9Crd-N_Wzk7BhKZJRwEA_BKQ5kROhV8wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>As pacemakers go, the Conflict Engine is a bummer. A former paramedic, Firebrand - real name Janet Fals - volunteers under an assumed name at the local Veteran’s (sic) Hospital. And that’s where the dimension-hopping psycho who calls himself Bad Samaritan finds her. </p><p><img src="https://lh3.googleusercontent.com/-KmPuZtmHr4Y/WxmjMzzVjZI/AAAAAAAAelY/ZFeiGMJZogEz43xBX4AG46vygX1K8iI8ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>He wants to rip out her heart, take it back to Thanagar as part of a deal to quieten his own body horror demons. But he’s not going to find gutting Firebrand easy - and not just because she’s quite the combatant. </p><p><img src="https://lh3.googleusercontent.com/-p3S9Ge1_D_Y/WxmjoXsjD3I/AAAAAAAAelg/TiM1cakb4e0cBf3S2NYG843qYeORYc3sACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Neon the Unknown, the Viking Judge and Ascendant know Bad Samaritan has just killed one of the Multiverse’s infinite earths, and aim to put him down...</p><p>This is the busiest of first issues, as writer Steve Orlando mines the recent Metal event for ideas. And that’s the big negative of a great-looking debut that doesn’t lack for excitement. A team of freaks traversing the Multiverse, that’s an interesting idea, but throw in Barbatos, the World Forge and Hawkman as galumphing great chicken and I just want to find a nice back issue of Binky. We already have a bunch of new characters to process - as well as Firebrand, who arrives with a useful infodump, there’s Neon the Unknown/Annoyingly Haired, who, like Janet, is named for a Golden Age hero. There’s the Viking Judge, an immortal warrior who was showcased in a recent issue of Supergirl. And Ascendant, who’s big and blue and has a magic torch... or something. Think Loose Cannon in spangles. </p><p>I dunno. The action moves at such a breathless pace that Orlando doesn’t pause to give much detail. What I know of the characters I’ve gotten from a <a href="https://www.dccomics.com/blog/2018/03/13/new-age-of-dc-heroes-what-to-expect-from-the-unexpected">DC article</a>, but it’d be nice to have some of that here. I’d find Neon less annoying visually, possibly, had I known the deal with his hair (hiding scarred eyes, and he’s blind, so he doesn’t need to see past his dangly locks). And the colours that form him are linked to him being an artist. I realise it’s fashionable to start a story in media res and explain things along the way but dang, I’m old fashioned, I like roll calls, I want to be told powers and backgrounds as soon as possible. Sound and fury can only carry a book so far. </p><p>Maybe each issue will focus on one character - certainly Firebrand’s spotlight got me interested in her - is unseen brother Jared Janet’s twin? Does she ever <i>look</i> for fights? Will she ever have dinner with the excellent Nurse Joy? One thing I don’t like is her facial similarity to the most recent Red Tornado, and her costume design recalls hi-vis cycling kit. The other guys look more appealing (bad hair apart). In fact, the art is pretty stupendous throughout. I couldn’t tell you which pages are pencilled by Cary Nord and which are the work of Ryan Sook because the credits don’t give breakdowns. I think it’s mainly Nord and inker Mick Gray, with Sook and Wade Von Grawbadger taking over from page 15 - feel free to put me right. All the colours are by FC Plascencia and lettering by Carlos M Mangual and they do a great job, heck, the title and credit box alone are a neon-toned delight. </p><p>I can’t see an immediate link between this Bad Samaritan and the old Outsiders villain, though he’s likely a multiverse alternate. He’s certainly bad, as we see he’s killed a TV version of a DC favourite, along with her world, and visually he’s distinctive, like Wolverine crossed with a burning Hunter S Thompson. Can we call him BS? Probably not. </p><p>The creators on this comic are first rate. They look to have a good idea of what they want to do. And yet I closed the issue feeling rather flat. Part of the problem may be the ‘artists first’ approach of DC’s New Age of Heroes line, with big, bold images - read ‘fights’ - taking precedence over narrative. I’ll be back to try the second issue, because Steve Orlando has impressed and entertained me on the likes of Supergirl and Midnighter, but if this series turns out to be a love letter to Metal, I shall wish it the very best and go off in search of Binky. Earth 1968, I think...</p><p><b><i>////////////</i></b></p><p><b><i>The Unexpected #1 review, Steve Orlando, Ryan Sook, Cary Nord, Mick Gray, Wade Von Grawbadger , Carlos M Mangual, FC Plascencia</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-52918197434057440282018-06-07T13:33:00.017+01:002018-06-07T14:06:18.736+01:00Justice League #1 review<p><img src="https://lh3.googleusercontent.com/-PS-OPTiyD8Q/WxkmI10f6AI/AAAAAAAAej4/9WgTjp3GQlc2o2wsCc81UOcM74ztb8OzwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>There’s a new Justice League in town. Not just in town, but all across the planet. This League seems unlimited in terms of numbers, with a core membership - J’onn J’onzz, Wonder Woman, Hawkwoman, Aquaman, Batman, Green Lantern, Cyborg, Superman and Flash - supplemented by dozens of heroes. Green Arrow, Swamp Thing, Adam Strange, Hawkman... heck, it doesn’t matter if you’re already in a team, like the members of the Terrifics, when the JLA calls, you come running. Or flying, swimming, whatever. </p><p><img src="https://lh3.googleusercontent.com/-bR4AB-xDODc/WxkoSVXTz-I/AAAAAAAAekM/lpSCACGraCAXUprid0sDIwJJ0kgd7Dq_ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>So it is that this issue’s action sees the League fighting Neanderthals across the planet. And where there are Neanderthals, there’s going to be Vandal Savage, the Immortal Villain. A member of the original Injustice Society of the World, back in the Second World War, he’s formed a new Injustice Gang. And someone’s not impressed. </p><p><span id="selectionBoundary_1528375463343_6098198265298547" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-o58w6JyoZSE/WxkpO84DASI/AAAAAAAAekU/OAyJuaTtmQ0xsPdMAmmHdKbNLRaOoc-aQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Meanwhile, the Justice League has something bigger than rampaging Neanderthals to occupy their minds. </p><p><img src="https://lh3.googleusercontent.com/-GXquQnGcQNs/WxkpaXeyEpI/AAAAAAAAekY/QPuOLV1PlF0dPurv8Gl7jmjSbzEiK5luACHMYCw/%255BUNSET%255D" alt=""><br></p><p>They have three minutes to decide if this leakage given form from the broken Source Wall is likely to end all life, or coming to solve some cosmic mystery...</p><p>No one could accuse writer Scott Snyder of not thinking big with his first Justice League issue. A threat to conquer the planet is met, but then the heroes are faced with something that may smash the globe to smithereens. Meanwhile we have a cracking confrontation between two of the most impressive villains in the DC Universe with more in common than might first seem evident - John Byrne’s post-Crisis Lex Luthor revamp borrowed heavily from Marv Wolfman’s version of Vandal Savage as urban caveman. There’s a heartbreaking flashback to life - and death - on Mars. We get a quick tour of how the Source Wall being - the Totality - is viewed across time and space. And best of all?</p><p><img src="https://lh3.googleusercontent.com/-oMHLgVd6hiU/WxkpuFq6_FI/AAAAAAAAekk/VEeE3htkI7ov9CFcRENgmW2YT0BcPyZugCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-MIf5wxyQpAg/Wxkp1gCYxaI/AAAAAAAAeko/NxaAAa-z_uggckRXlDt42x7hWPooEb5wgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>A look at the League’s all-new Hall of Justice. </p><p>A limited tour of a superhero base better than massive cosmic action and cool characterisation? Well, yeah. I’m a massive sucker for the legacy of the DC superhero universe and in just a few panels Snyder gives a sense of the sweep of League history. The fact that it seems we’re firmly in a pre-Flashpoint version of the world only makes it better. Snyder has really thought through how a public superhero mission would work, with the decommissioned trophies and secret spaces. And there’s a deftness to the writing that’s very appealing. The bit about ‘a calcite from the Butterfly Nebula’, for example, evokes Grant Morrison’s All-Star Superman, with its nods to the Silver Age wonders of the Fortress of Solitude. And how wonderful to see little kids inspired to pay superheroes. Then there’s that direct invitation to the reader, like something out of an old DC mystery book; a little playfulness goes a long way. </p><p><img src="https://lh3.googleusercontent.com/-iKj19btSm0I/WxkqRlYq92I/AAAAAAAAek0/O-ZkuXC5Ysgn8Wh9dMXMu19ay_AiOWxWgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>You’ll notice the creator credits in there - it’s quite the team, with the real coup being grabbing penciller Jim Cheung from his usual bolthole at Marvel Comics. Credit to editors Rebecca Taylor, Andrew Marino and Marie Javins for pairing Cheung with inker Mark Morales and colourist Tomeu Morey, because the result is terrific. The visuals are crisp, open, inviting, as opposed to the treatment Cheung’s work received over at Marvel 2 in One last week, where the pages are dark and murky. Cheung isn’t known for long runs on books but I hope he hangs around DC awhile, because he immediately seems at home drawing its biggest heroes and villains. </p><p>Kudos, too, to letterer Tom Napolitano for good, clean calligraphy, and colourist Laura Martin, who teams with Cheung to provide a cover image full of dynamism and depth. And that’s a great new logo too, everything pops nicely. </p><p>I’m not a huge fan of DC’s cosmic side but this issue works beautifully. The initially promising Dark Knights: Metal event quickly became cluttered by multiple Batman amalgams wittering away in word balloons that were unreadable without double tapping a tablet screen to enlarge, but here the story is tighter, more chilled and so more enjoyable. The heroes treat situations with due seriousness but are confident enough in themselves and their team to relax and have fun - the multiple impersonations of Batman make for some nice, natural comedy, for example. OK, there’s potential for things to get completely out of hand as we go on, but I trust Snyder; he always sold Metal as a huge, loony event, and that’s what we got. Talking about the new League, he seems to be all about coming up with a modern equivalent to the satellite glory years. And I strongly suspect he’ll succeed. </p><p>What didn’t I like? Well, there’s this...</p><p><img src="https://lh3.googleusercontent.com/-6EoQif0Tv6I/WxkqiB5QgvI/AAAAAAAAek8/3dEadFyfzwU1Pn5m5qHPawKzBDqlBH2ggCHMYCw/%255BUNSET%255D" alt=""><br></p><p>... I still don’t like Wonder Woman as warrior first, love goddess second. </p><p>But that’s about it. Every page drips with imagination and personality, and boy, does it look great. So, Mr Snyder, how soon can we have an annual?</p><p>///////</p><p><b><i>Justice League #1 review, Scott Snyder, Jim Cheung, Mark Morales, Tom Napolitano, Tomeu Morey, Rebecca Taylor, Andrew Marino, Marie Javins, DC Comics</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-50913090379630553632018-06-06T21:39:00.019+01:002018-06-06T22:19:07.676+01:00Man of Steel #2 review<p><img src="https://lh3.googleusercontent.com/-5zL6y7Tz_gw/WxhGot1ECJI/AAAAAAAAehc/g6Gkx-Q_xOsjObF3uwrsSutOOvdFr2jXQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Guardian of the Universe Appa Ali Apsa is visited by another member of the Galactic Circle, Lord Gadelo, ruler of 42 star systems. He’s not happy. </p><p><img src="https://lh3.googleusercontent.com/-BwprpF3EZN4/WxhHLodG_pI/AAAAAAAAehk/pIQshgTc0YwAAmZDCl23HzQHHtxeShVxwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>He doesn’t trust the Guardian, but he’s wrong. After Lord Gandelo disappears in a huff of smoke, Triple A visits the hell planet where Rogol Zaar, the beast man who demanded permission to destroy Krypton, was last seen. He’s not around. The Guardian prays that he died along with Krypton. </p><p>Several decades later, on Earth, new Daily Planet reporter Robinson Goode is trying to get gossip columnist Trish Q’s take on the whereabouts of legendary reporter Lois Lane. Like Triple A, she pleads ignorance. </p><p><img src="https://lh3.googleusercontent.com/-CZdjyuav8bI/WxhHX__NroI/AAAAAAAAeho/lpjxFMrqnYIVHomTh6RUMEbNe5rt0OvyQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Over in Coast City, meanwhile, Superman is keeping busy. </p><p><img src="https://lh3.googleusercontent.com/-QvlJG_zFEEk/WxhHg3Q3VhI/AAAAAAAAehw/pNYQ3HAJ5IgIYgT19fIxTjfkCLD0kE-FQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The kid’s wet dream robot is being controlled by - who else? - the Toyman. And while he doesn’t arrive in time to help take down the missing-from-Metropolis villain, Green Lantern is pleased to bump into his old pal. </p><p><img src="https://lh3.googleusercontent.com/-v4gYsF85Hzo/WxhI090H95I/AAAAAAAAeiI/Tqzc8hyJ41goBZ7wj0Fc2dmDwqmdgJEBQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Superman’s thoughts turn to recent days, when a manifestation in their apartment led wife Lois and son Jon to go missing from his life. </p><p><img src="https://lh3.googleusercontent.com/-vnjyEUXv1t0/WxhJJmu9WzI/AAAAAAAAeiQ/znO_jJ7R9MIxPiokX18p1Ac8FoX-QchFgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The memory prompts Superman to really express his feelings. </p><p><img src="https://lh3.googleusercontent.com/-S3DHHLk-6fo/WxhMCaEKwaI/AAAAAAAAejg/Wyabttmi6cULs29H2PMt64X6dm_HURmrgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Over in the Vega system, a loose-lipped barkeep alerts Rogol Zaar to the survival of at least one Kryptonian. </p><p><img src="https://lh3.googleusercontent.com/-CPlhw_hVExM/WxhNx-kWjJI/AAAAAAAAejs/fmdFgzYoet8BTX-uM8mLugGdGuj3pebZACHMYCw/%255BUNSET%255D" alt=""><br></p><p>And on Earth, its greatest hero is having regrets. </p><p><img src="https://lh3.googleusercontent.com/-m9LUHR22tys/WxhJhVGdvFI/AAAAAAAAeic/GzIbFkQnHIw5BObxJoRmlt0FFHbpcHsLQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>He doesn’t have time to feel bad for long, though, as people need him. Another building has been set on fire. </p><p>Finally, Clark appears at the Daily Planet, where Perry is having a bad day. And Trish Q turns out to be a lot more interested in the Lois business than she made out to Goode. </p><p><span id="selectionBoundary_1528318501601_38241790941008647" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-bwRml6lKMHU/WxhKePgHpsI/AAAAAAAAei4/BE2wGnORhHAvJtyjSaT7nAGn-KjP6fVKQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>I enjoyed Brian Bendis’s first full-length Superman tale; I love the second. His characterisation of the Man of Steel is nicely nuanced, as we see the front he’s putting on and that he’s actually dying inside. The Daily Planet scenes are excellent, and the bit with Triple A and Lord Gadelo go some way towards making Rogol Zaar - still the story element in which I’m least interested - feel like a threat. I don’t think the transition between Superman’s despair and the space bar quite works, though; it’s visually arresting but the juggling Ambush Bug simply detracts from what could otherwise be a very powerful moment. </p><p>If I had to pick a favourite part of the book, it’d be the newspaper scenes. Perry’s fears ring true, the gossiping reporters, likewise, and I love that for one second Bendis has me thinking Perry had forgotten his grammar. New characters Robinson and Trish are enjoyable, but the former - whom we know to be a spy for some sleazy type - can’t be as smart as she thinks she is if she’s going to pump the gossip queen so openly... already Trish notices she hasn’t got a reporter’s instincts. As for Trish, even in this world of tittle tattle, her hard news instincts need retuning if she thinks the personal life of an ‘almost famous’ hack is going to translate into big sales. And you <i>do not</i> question Perry White’s news nous. </p><p>Good on Trish, though, for being the first Planet reporter outside Perry’s golden circle of Clark, Lois and Jimmy to verbalise the frustration colleagues must feel towards them. </p><p><img src="https://lh3.googleusercontent.com/-yvrZw5SG1M0/WxhK8A2FhCI/AAAAAAAAejA/Qio8G2ct3Vk0oL9b_XlLxFm3vghiRfhqwCHMYCw/%255BUNSET%255D" alt=""><img src="https://lh3.googleusercontent.com/-bCdrXqq1l64/WxhLE0f9NII/AAAAAAAAejE/G3hufkAY3DkSr3-xnaeZlSnO4PhvSSV8QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>It’s great to see Toyman again, though it’s weird to have him suddenly sounding like an episode of Seinfeld. Will this new dialogue pattern ‘schtick’?</p><p>This issue has three artists. Three superb artists. A consistent look in the eventual collection would be grand, but if we can’t have that I’ll take Evan Shaner, Jason Fabok and Steve Rude anytime. Shaner’s clean, sincere lines are perfect for a hero as pure as Superman, Fabok’s Gary Frank quality grounds the freaky two pages with the giant head (reminds me of Validus from the Legion of Super-Heroes), and Steve Rude provides a page that just yells instant classic. </p><p><img src="https://lh3.googleusercontent.com/-jUHYamUERco/WxhLM5OsXhI/AAAAAAAAejM/4_M-iEHn274wzsP0r48CS0wMdklbZXygQCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-q3YRZo4Rehg/WxhLWMBDBoI/AAAAAAAAejU/4YZsvBp4Sg0MVNgqixyHvnkvTREuZ-XCwCHMYCw/%255BUNSET%255D" alt=""></p><p>Shaner deserves extra praise for his packed Planet, and there’s a cute little background story with Steve Lombard and Ron Troupe that brings a smile to my face. Little details like a silhouetted cyclist watching the robot fight and Coast City workers cheering the novelty of Superman add verisimilitude, and his Hal Jordan is a delightful callback to Dave Gibbon’s late Bronze Age version </p><p>I also like the snazzy Forties stylings Rude gives Clark and Perry, contrasting with the very Today wardrobe of Trish, and the smudginess of Superman as Bendis delivers that great insight about people giving him extra slack.</p><p>The cover by penciller Ivan Reis, inker Joe Prado and colourist Alex Sinclair is handsome, but dull - oh for a Shaner Superman vs giant robot... Sinclair also colours the interior, and very nicely too, while Josh Reed supplies the sharp lettering. </p><p>This time next week I’ll be on holiday, with little access to WiFi - if I can’t download Man of Steel #3, expect to find me in a crater, wailing...</p><p>////////</p><p><b><i>Man of Steel #2 review, Brian Michael Bendis, Evan ‘Doc’ Shaner, Steve Rude, Jason Fabok, Alex Sinclair, Alex Sinclair, Josh Reed, Ivan Reis, Joe Prado, DC Comics</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com5tag:blogger.com,1999:blog-6392489189136721402.post-61192384044942346272018-06-02T17:54:00.020+01:002018-06-02T18:21:16.637+01:00X-Men Red Annual #1 review <p><span id="selectionBoundary_1527958485586_16642631787350481" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-xbF4KmnKLgA/WxLMLhq1aoI/AAAAAAAAegI/iEcZt-UH_tARz0ygyWuMYLG8UgxFlVCBACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Jean Grey is talking to someone, explaining that she was the Phoenix, and died, and came back. She’s not willing to accept the hate-filled world she’s awoken to. She thinks back to the day she returned, and how overwhelming it was to meet her X-Men friends once more. </p><p><img src="https://lh3.googleusercontent.com/-_mchOzB-Aqw/WxLM7pesegI/AAAAAAAAegQ/OCghfdue0mkrNOdiQwvl4vKF4SkogXNdQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Seeking to make connections with the two men she loved most, she seeks out Laura, clone ‘daughter’ of Logan, and Rachel, her daughter with Cyclops in an alternate timeline. Both meetings present their challenges. Even for someone who’s seen, who’s <i>lived</i>, as much lunatic drama as Jean Grey, relating to your almost-daughter is a scary prospect. But their telepathy, and a little trust, presents a way forward. </p><p>As for Laura, the current Wolverine is naturally defensive. <br></p><p><img src="https://lh3.googleusercontent.com/-a84d5wEYytI/WxLNsrVzcBI/AAAAAAAAegk/d9cUznu4XqMw5qO9LhPhcQBHGnyY7kaNQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>But there’s an icebreaker in the form of Laura’s sister Gabby, the young mutant who goes by Honey Badger. </p><p><img src="https://lh3.googleusercontent.com/-ATMU2joHvgQ/WxLNf0-MNvI/AAAAAAAAegg/ru2fwo5qNE826ok2kuupzoitnLLHRxJ_wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The meeting is cut short when Jean senses the presence nearby of Black Bolt, leader of the Inhumans and the man most responsible for the death of Scott Summers. She doesn’t know what she’ll say to him, but she has no intention of fighting. Black Bolt, though, assuming she’s here for his head, strikes first. His mistake. </p><p><img src="https://lh3.googleusercontent.com/-9SC2B3Fk7Jk/WxLOkNRLxKI/AAAAAAAAeg4/eFEdb4A9k1wAdCGnZVJPcFe9Jh0FO-89QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>As for what happens next, it’s a satisfying step forward in the troubled relationship between mutants and Inhumans, courtesy of writer Tom Taylor, and a nice capper to an Annual that’s loaded with enticing character moments arising from Jean’s long and complicated comics history. It’s the story we needed in between the Phoenix Resurrection mini-series and the first issue of X-Men Red, showing Jean revisiting old friendships and forging new ones. I love that Jean, while puzzled by the changed world, isn’t thrown by it; she puts herself out there, asking the questions that might solicit the answers the world needs. While the line about the Phoenix Force holding her back is likely hyperbole, there’s no denying she’s one of the most powerful people on the planet, and not easy fodder for Black Bolt’s vocal explosions. </p><p><img src="https://lh3.googleusercontent.com/-wNR6X2ZH-Yk/WxLO4mV8WKI/AAAAAAAAehE/Ze1YC9Sjj5kRPqD9gD_BMnhb4O9bc3MngCHMYCw/%255BUNSET%255D" alt=""><br></p><p>And thinking on, her psychic multi-tasking here does rather recall those days immediately prior to the manifestation of Dark Phoenix, as she showed Scott just how far her powers had grown. Jean <i>should</i> be this impressive. </p><p>There’s some business with Gabby that’s adorable, an apparently throwaway character named Chad for whom Taylor may have plans, and a killer epilogue. </p><p>Pascal Alixe is an interesting artist - his work rarely looks the same from series to series. Maybe it’s a question of inkers, or colourist, or altering his approach according to the project. Whatever the reason, Ka-Zar doesn’t look like Captain America doesn’t look like Eternals <i>certainly</i> doesn’t look like X-Men Red Annual. Alixe works really hard to give us a Marvel Universe with a tinge of naturalism, and at times it works really well - a hot dog scene, the physical characterisation of Gabby, the climactic moment of the Black Bolt encounter... my only problem is his depiction of Jean. For much of the time she’s recognisable as a version of the Marvel Girl who debuted in the Silver Age - a pretty, open-faced redhead. But the panel to panel consistency isn’t there, which is odd as I suspect he’s using a model; more than once she looks like a crone in a soaking-wet ginger wig, and the painted-on nature of her outfit is just unpleasant. Yet I appreciate that Alixe isn’t coasting with safe compositions, he’s trying something new. And if Old Man Logan and Jean suddenly look like amputees, well, we probably won’t be seeing that again. </p><p><img src="https://lh3.googleusercontent.com/-T4bAiIge-ZQ/WxLPZan4a9I/AAAAAAAAehM/DxuFsBogWiE-3clsGJxGcoxyLs_KDv4HQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Colour artist Chris Sotomayor does his usual bang-up job, especially when it comes to facial modelling, while Cory Petit’s letters are as sharp as ever. </p><p>I’m not keen on Travis Charest’s cover. It’s not badly executed, but it implies a story that isn’t here, and presents mutant-next-door Jean as an evil brunette. </p><p>All in all, this is a pretty decent book, making me feel I know Jean a little better and incorporating a lot of entertaining moments. If you’re an X-Men fan. I recommend it. </p><p>///////////////</p><p><b><i>X-Men Red Annual #1 review, Thom Taylor, Pascal Alixe, Chris Sotomayor, Cory Petit, Marvel, Jean Grey</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com3tag:blogger.com,1999:blog-6392489189136721402.post-25461821778653100142018-05-31T23:26:00.012+01:002018-05-31T23:46:49.304+01:00Green Arrow Annual #2 review <p><img src="https://lh3.googleusercontent.com/-TdiAcLEOj2o/WxB223yjkdI/AAAAAAAAefI/IZbps0kvWSYaCPFdgeo_lj4Vs3-qt26IgCHMYCw/%255BUNSET%255D" alt=""></p><p>So there I was reading No Justice #4, planning a review, when I came across a panel including an editor’s note. <br></p><p></p><p><img src="https://lh3.googleusercontent.com/-VfSuWXNxwF0/WxB3MQdBj_I/AAAAAAAAefQ/aVxeE0pUcUMun_KoKT8VO9HtrAjkgtjRgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>OK, if I need to read Green Arrow Annual #2 first, that’s what I shall do. And on the first page of that book, I find this box. </p><p><img src="https://lh3.googleusercontent.com/-b5qtkGTZgOw/WxB3WWeVhcI/AAAAAAAAefU/PTojehJ8CxAzZQ6OIujPIJhOBi6o14bhgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Oh dear, what to do. Is DC out to trap me in some insidious reviewer’s loop? May as well stick with Ollie rather than faff about with the old tablet. </p><p>As it happens, I made the right decision. Not just because a lot of this book is set prior to No Justice #1, but because this is a terrific comic deserving of some attention. </p><p>I’ve enjoyed a lot of recent Green Arrow stories but jumped off when things seemed to be heading a little too much in the direction of real-world politics. Call me an ostrich with his head in the sand but I get depressing news stories all day at work. Outside of that, I want my fiction with a heavy dose of escapism, meaning I’ve always been a bigger fan of Ollie Queen when he’s engaged in pure superheroics than when he’s tackling the horrors of Relevance. Green Arrow Annual #2 could not be a more superheroic take on the Emerald Archer; sure, he starts off fighting street level baddie Brick, but within the space of a few panels he sees this. </p><p><img src="https://lh3.googleusercontent.com/-tW83FC0s72c/WxB4E4h4FuI/AAAAAAAAefg/EZ4ldcPz5bQIsNsK3aYki1u-96Lu9uOOwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>One of Brainiac’s trademark skull ships is hovering over Seattle, and Ollie soon finds out what it wants. </p><p><img src="https://lh3.googleusercontent.com/-BXVCyqGeavY/WxB4R3nXIUI/AAAAAAAAefk/zPG6BpgyxIsIk1BUJavMliuKvCOJywXbwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Cue a fantastic action sequence in which he uses a roulette wheel to provide a bit of stability while he’s up against the spaceship’s tentacles. And then he finds another use for the casino fixture. </p><p><img src="https://lh3.googleusercontent.com/-94cWfIWZsiA/WxB4Z2pdC2I/AAAAAAAAefs/inxRbefhemQAAIYBWjx1T-gZEorHgh9kACHMYCw/%255BUNSET%255D" alt=""><br></p><p>After an encounter with the world’s most annoying hipster - doesn’t a shared loved of moustache wax count for anything? - Ollie is contacted by Barbara Gordon. She says it’s Batgirl, but we’re definitely in Oracle territory, with the Ginger Genius delivering information and coordinating the troops. </p><p><img src="https://lh3.googleusercontent.com/-aA1a9Nk2jVY/WxB42rpVYuI/AAAAAAAAef0/3s1aO_hiPsQ4dVvJ0vmfgH-OWURxt0_CgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Unfortunately, right now, the troops consist of... she and Ollie. But they do have a lead as to who has more information on Brainiac’s attack and where the heck Earth’s other heroes are. Amanda Waller. If only Ollie had some way to get to her...</p><p><img src="https://lh3.googleusercontent.com/-WjtQnjBLXtM/WxB5CJdueAI/AAAAAAAAef4/OPGQzdE2Ru8WDqWkSmdSvjoyhmbc41wtQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The Arrowplane. Now that took me by surprise - could Ollie <i>get</i> more superheroic than his Silver Age Batplane-alike? </p><p>As for what else happens this issue, buy the book - it’s not just a fine complement to No Justice, it’s a wonderful Green Arrow story, showcasing his skill, grit and intelligence. Having Oracle around is a bonus, this is Ollie’s show all the way. Whether he’s taking on a brace of Brainiac robots or walloping Waller (that gal’s no lady), Ollie is seriously impressive. </p><p>And that’s thank to writers Julie and Shawna Benson, just back from a tour of duty with the Birds of Prey. They wrote a few pages of Ollie over there, and he was right in character, but I’m still surprised by just how well they handle him here. The way he talks, how he thinks... It’s like they’ve been writing Green Arrow for years. I hope this is the first of many Ollie adventures they create. </p><p>As for the art, it’s totally to my taste - clearly laid out with crisp finishes, dynamic action sequences and splendid facial acting. And when this extra-length book affords the opportunity for a splash page or spread, Carmen Carnero grabs it and makes it sing. She’s also terrific with hair. Seriously, check out the dos on Ollie and Babs. Carnero has been popping up around DC for a while, on such titles as Detective Comics, Supergirl and Bombshells. Well DC, she’s ready for her series. </p><p>Carnero is lucky to have one of DC’s best colourists working with her, Trish Mulvihill, who never fails to capture the mood of the moment. And it’s a small point, but I appreciate that two editorial offices have worked together to the extent that Amanda Waller, both here and in No Justice - where the colours are handled by Hi-Fi - sports a spiffy pink parka. So well done to this book’s Dave Wielgosz, Katie Kubert and Jamie S Rich, and No Justice’s Andrea Shea, Rebecca Taylor and Marie Javins for those little touches that mean so much. And the stonking great set pieces! Letterer Deron Bennett also does a great job, his work being straightforward and pleasing to the eye. </p><p>David Lopez provides the cover and to my eyes it’s a winner. </p><p>As tie-in books go, this is one of DC’s best for years. It adds to the main story while doing something all its own, and giving us what every good Annual should - wow moments; I’ve mentioned the return of the Arrowplane, but believe me, that’s not the only one. </p><p>Whether you’re a regular Green Arrow reader, an occasional fan or a newbie intrigued by No Justice, I recommend this issue. To be cheesy, but sincere, it hits all its targets. </p><p>/////</p><p><b><i>Green Arrow Annual #2 review, Julie and Shawna Benson, Carmen Carnero, Trish Mulvihill, Deron Bennett, David Lopez, Dave Wielgosz, Katie Kubert, Jamie S Rich, Andrea Shea, Rebecca Taylor, Marie Javins, No Justice, DC Comics</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com0tag:blogger.com,1999:blog-6392489189136721402.post-54694715448663963952018-05-30T21:44:00.021+01:002018-05-30T22:31:29.845+01:00Man of Steel #1 review<p><img src="https://lh3.googleusercontent.com/-fsazJGJ96yE/Ww8NDqpxrkI/AAAAAAAAeds/xaOAQZfMydwXrSRdphBnKWxUmKiPF_HhwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Years ago, a massive, battle-scarred figure appeals to a universal power known as The Circle. Rogol Zaar hates and fears the people of Krypton. He wants to end the threat he claims they pose to the galaxy. </p><p><img src="https://lh3.googleusercontent.com/-46S8V0TjWVU/Ww8NbdW02lI/AAAAAAAAed0/G3CO6SpSdmcgVW4n6NlJh616N0nTlZPZwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Today, in Metropolis, two visiting villains from Gotham are having a spat. It seems Firefly has done a midnight flit with the proceeds of a job, and Killer Moth has come to retrieve his share. The bug-bandit is confident that Superman isn’t around. </p><p><img src="https://lh3.googleusercontent.com/-nwsUqrYAMLg/Ww8NswwgBQI/AAAAAAAAed8/WkpcpbD_0bcAp2yk0-l4fnJpE-UXsgUXQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Wrong. </p><p>Later, screams lead Superman to a fire in a city block. People need his help.</p><p><img src="https://lh3.googleusercontent.com/-lHHxdkhGf94/Ww8N6m7NKOI/AAAAAAAAeeA/bLKrStm3kekNPd7Ku7jzt0WBaxQh5yNqwCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-kBXbRP3I9FY/Ww8Oys9xFxI/AAAAAAAAeeQ/k3DLevGifpsKFO28QE3vH2jttGTi1txqgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>His reporter instincts tell Superman this wasn’t an accidental blaze.</p><p><img src="https://lh3.googleusercontent.com/-dek1OiolRs8/Ww8PIkRNRfI/AAAAAAAAeeY/4Mo-pMRY5jAAGfQcf9RLPX0Vvtma_nRdQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Someone new in Metropolis arrives on the scene. </p><p><img src="https://lh3.googleusercontent.com/-dWal4W_3ggo/Ww8Pb_zFSPI/AAAAAAAAeeg/d9yWyObUofIQq61okb9vZ2jGSSVnqFpBACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Flashback to a hell planet whose inhabitants and environment hone Rogol Zaar’s warrior ways. Guardian of the Universe Appa Ali Apsa arrives to deliver the decision on Zaar’s request that Krypton be put down. </p><p><img src="https://lh3.googleusercontent.com/-lbnEi_Xwwug/Ww8Tfi3gpqI/AAAAAAAAee8/tm01hnRwAekC0Q5e0bUCGc7z6R_3ADjHACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Back in the present day, at an altogether more benign Planet, Clark is working on the fire story when boss Perry White arrives. </p><p><img src="https://lh3.googleusercontent.com/-I7KPdM1fGVc/Ww8Pm39-xkI/AAAAAAAAeek/GWBREOuGzmQEU1-SJMFcZA3dfKMH72zrQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>A picture of wife Lois and son Clark prompts the off-duty Man of Steel to think back...</p><p><img src="https://lh3.googleusercontent.com/-wSUDb7We9ck/Ww8P3w-_oSI/AAAAAAAAeew/QpJukuBQdSg8zbkUeQ4oLe77-8BH0yQzQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>After months of waiting, the first full issue by new writer Brian Bendis is here and it’s pretty decent stuff. I’m not a fan of the (not that new) idea that Krypton’s destruction <i>wasn’t</i> the result of environmental disaster and man’s hubris, but Bendis is only beginning his story, let’s see where it goes. A good sign is that the future Mad Guardian Appa Ali Apsa, representing what seems to be a version of <a href="http://dc.wikia.com/wiki/Quintessence">The Quintessence</a>, makes it clear Zaar has biased thinking and is mischaracterising the people of Krypton. </p><p>Bendis has obviously put some thought into how Superman would use his abilities, giving us moments such as his post-fire investigation. Who knows, Bendis may become the first writer since Kurt Busiek to remember that the Supers have powers beyond flight, strength and angry - sorry, heat - vision.</p><p>It’s good, too, that criminals are intimidated by the mere likelihood Superman is in the city, no superstition necessary. <br></p><p>Bendis isn’t quite there so far as our hero’s voice is concerned, he’s a bit too quippy in the opening scene, but it’s not like Superman has never has a sense of humour. Once Bendis gets Spider-Man out of his head he’ll likely be fine. What I <i>really</i> don’t like is the little rescued girl effing and blinding in an awed way; sure, there are kids like this is real life, and Superman <i>does</i> tell her off, but it’s cheap laughs and DC’s premiere hero deserves better. </p><p>As someone who entered journalism because of Clark Kent and Lois Lane, I’m excited that Bendis is excited to write the Daily Planet staff. Where Superman is a tad Spidey, though, so Perry White is a bit J Jonah Jameson. He’s probably known Clark nearly two decades at this point, if Clark thinks there’s something big coming from an arson angle, Perry’s not going to be nagging him for something bigger. And <a href="http://dangermart.blogspot.com/2018/05/dc-nation-0-review.html">as I said in an earlier review</a>, Clark calling Perry ‘Mr White’ is just weird. And why does Perry have a parade with him? Thinking on, they’re probably coming out of an editorial conference, explaining why the office floor was so bare on the previous page. </p><p>New Metropolis fire chief Melody Moore’s introduction is cute but I hope she’s not actually going goo-goo-eyed over Superman - we don’t want another <a href="http://dc.wikia.com/wiki/Adventures_of_Superman_Vol_1_629">Lupe Escadero</a>, the SCU boss who threw herself at our hero in Greg Rucka’s Superman run. These women are professionals, they shouldn’t be chasing men in tights, especially Superman, who’s now known as a Super-Dad.</p><p>My favourite writing this issue is the page of Clark, Lois and son Jon at home before... something happens. While solicitations indicate a mystery surrounding Lois and Jon’s status after this issue, I tend to believe Bendis when he says he’s not going to do away with the family dynamic - just look at the fun he’s having with them. </p><p>Bendis’s handpicked penciller partner, Ivan Reis, is a smart choice. He’s been drawing the DC Universe for years and, with regular inker Joe Prado, has a handle on how it should feel. The scenes with Zaar have the intensity needed to convince us this guy is a big deal, Metropolis feels like the City of Tomorrow and Superman looks just wonderful - big but not intimating, warm but not cheesy. The fact Superman is smiling so much hints that whatever’s happening with his family isn’t so drastic that he can’t enjoy his job. The only thing I’d tweak would be the S-symbol, which is drawn (skilfully) in live-action style, with raised curves. I like my chest insignia flat!</p><p>Jason Fabok steps in to fully illustrate the final two pages and I couldn’t see the join, he matches Reis and Prado’s Superman with skill. </p><p>Alex Sinclair does a bang-up job on the colours, with Superman’s arrival in Firefly’s pad, all coloured speed lines, being a nice showcase moment - it’s subtle, but impressive. And the way he lights Superman in the razed building is first class. </p><p>Letterer Cory Petit does fine work, though I hope Rob Leigh hasn’t lost his gig as regular calligrapher on the Superman books - he’s done sterling service for years, especially on the title pages, and has earned a spotlight moment. </p><p>I keep forgetting what’s on the cover. Hang on... oh yes, Superman and the JLA. That’s surprising, I’d expect an iconic solo shot for a first issue, with optional floating supporting cast heads. I suppose the idea is that Superman is first among equals, the best of the best, but Reis, Prado and Sinclair give us so many more memorable moments inside. Ah well, can’t win them all. That awful Eighties logo, brought in from John Byrne’s Man of Steel mini-series, doesn’t help - those hard, metallic lines are Iron Man, not Superman. </p><p>As someone who’s not a big Bendis fan, I was rather dreading his take on Superman, but I enjoyed this issue. The Rogol Zaar business doesn’t excite me in the least but unpromising scenarios don’t preclude fun comics. The Bendis tics that annoyed me at Marvel aren’t here - this isn’t a comic full of smart Alecs who can’t finish a sentence... My biggest quibble is that he’s not quite got Superman’s voice yet. I suppose he could be making a conscious choice, making Superman chipper, but I hope not... maybe the Man of Steel is overcompensating for the (it had jolly well better be) temporary loss of his family. And the art is terrific. </p><p>I’m rather looking forward to next week’s issue. </p><p>//////////</p><p><b><i>Man of Steel #1 review, Brian Michael Bendis, Ivan Reis, Joe Prado, Alex Sinclair, Cory Petit, Jason Fabok, DC Comics, Superman</i></b> </p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com24tag:blogger.com,1999:blog-6392489189136721402.post-19262141921082205902018-05-26T19:39:00.027+01:002018-05-26T20:24:15.222+01:00The Flash #47 review <p><img src="https://lh3.googleusercontent.com/-b6N_5n3dWEk/WwmqDyHhSqI/AAAAAAAAecU/etrEYxjKCqg6ekEwOZcoAi4hStDvVn7WACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Barry Allen and Wally West, in their Flash costumes, are having a massive argument. </p><p><img src="https://lh3.googleusercontent.com/-UvoJ-olYgck/WwmqvYlW4JI/AAAAAAAAecc/swdDfocBwP8kGJWCEd2pHlY3RiSjP2NEQCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-QEWsu82TuS4/Wwmq9PUh8sI/AAAAAAAAecg/-9QTMyNLdMol1hVtWkV6CFVJVOtBvIpyACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Flashback. ‘Forty-seven minutes and 18 seconds earlier’, Iris West is cementing her status as Earth’s coolest aunt by fixing the motorcycle Wally’s cousin, also named Wally and also a speedster, Kid Flash, couldn’t. </p><p><img src="https://lh3.googleusercontent.com/-_dKyrY3ZJ5w/WwmrsVKHIyI/AAAAAAAAecw/inDiiz13dw0LIbATs0CgeVWhQ1S53_2IQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The two Flashes show up, having teamed up - awkwardly, it seems - to save the island nation of Badhnisia from a tidal wave. They deserve a spot of downtime, but the elder Wally, recently assailed by visions of his old life from before the Flashpoint event tweaked reality, has another painful flash of memory. </p><p><img src="https://lh3.googleusercontent.com/-CXiqF_pHOdY/WwmsCL_-DqI/AAAAAAAAec4/KCYdNHcm_qkMZxd1anC5UVELd6g8cNaagCHMYCw/%255BUNSET%255D" alt=""><br></p><p>But assistance from the brainiacs at STAR Labs isn’t in his immediate future. It’s the distant future the Wests have to worry about. </p><p><img src="https://lh3.googleusercontent.com/-xpqV5JWkhK4/WwmsOMK_8pI/AAAAAAAAec8/oxRJmzIDYNoUZ5KRETV7tFiUH1zVjEQjACHMYCw/%255BUNSET%255D" alt=""><br></p><p>The 25th Century Renegades are here for Iris, who recently - from her perspective, anyway - killed Reverse-Flash Eobard Thawne in self-defence. Wally, unable to remember their previous encounter years earlier, isn’t going to trust his aunt’s life to people who look like a tribute act to the Flash Family’s worst enemies. This prompts the law office patterned on the Golden Glider to show that she’s actually got more in common with a big-time supervillain not attached to any of the Flashes...</p><p>There’s a lot more to this issue than I’ve recapped; I strongly recommend you buy it to find out more. DC have been teasing the Flash War story for awhile and I’ve not been hugely enthusiastic about the prospect - Barry was the father Wally never had, so I don’t want their great relationship shattered. But here’s the first chapter and it’s a terrific superhero comic. Writer Joshua Williamson looks to have plotted this new arc out to within an inch of its life, and the first chapter is a real grabber. Wally, Barry, Iris and Other Wally’s distinctive personalities shine, with everyone acting in a way that’s consistent with recent history. I say ‘recent’ because this is, yet isn’t, the Wally West who was the DC Universe’s only Flash from the Crisis on Infinite Earths to the return of Barry Allen. He’s the same guy, but he hasn’t the memories that make him the man he became - Earth’s greatest Flash, surpassing those speedsters who came before him. Right now, he can’t recall such basic super speed tricks as to how to run on water, or damp down a tsunami. </p><p>Talking of previous speedsters, towards the close of the book we’re told where the likes of Max Mercury, Johnny Quick and Wally’s twins have been since they vanished from the pages of DC Comics. It all links to the great DC Rebirth mystery of who stole ten years from DC’s heroes. Given it’s been two years, in reader time, since we got the set-up, with Wally escaping the Speed Force and getting on the path towards reclaiming his life, I’m delighted there’s some forward movement towards a resolution. If the road towards a happy ending - or at least a better status quo for Wally - is bumpy so far as his relationship with Barry is concerned, I can take it. I know it’ll be all right in the end - and if it’s not all right, then it’s not the end (™️<a href="https://www.bbc.co.uk/programmes/b00lvdrj">Kermode and Mayo’s Film Review</a>). </p><p>The art is a total treat, courtesy of illustrator Howard Porter and colour house Hi-Fi - the pages are abuzz with a sense of speed, helped by the high-energy colours. From the intensity of the opening argument to the drama promised by the final page, this is a fine-looking story. The figurework, backgrounds, choice of angles and fight choreography are all superb - I never want Porter to stop drawing comics, but I really hope he teaches the occasional class of up and comers, passes on his skills and insight. It’s tough to pick a favourite sequence, but I do love the scene between younger Wally and Iris (who’s wearing a Secrets of Haunted House #5 tee shirt, in a nice tribute to artist Bernie Wrightson). </p><p><span id="selectionBoundary_1527360811284_5685985127114029" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-frVlh7E0wjE/WwmuOgfO3fI/AAAAAAAAedU/A8UBoRu9sdkYx9f4klZvQWlYLs7FSZQIwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Porter really brings suburbia to life, and establishes aunt and nephew as living, breathing people. As for the narrative content of that scene, not only do I love that Iris shares original Wally’s mechanic chops, but who knew she’d reported from Markovia, setting for many a Batman and the Outsiders tale? I also enjoyed the reference to Badhnisia, a DC locale linked to the origin of Golden Ager Johnny Thunder, whom Wally met in the DC Rebirth special. Both are nice nods to DC history unlikely to confuse anyone who doesn’t ‘get’ them, but they enrich the experience for us old timers. I like how feisty and all-round sane Iris is - really, she’s the star of the show this time. </p><p>Steve Wands deserves thanks, too, for all-round strong lettering, and a smart use of the font which seems to salute classic DC lettering designer Ira Schnapp. </p><p>Porter and Hi-Fi also collaborate on the cover, which prepares us for the conflict to come in glorious style. As for Francesco Mattina’s variant, it’s all kinds of classy. </p><p><img src="https://lh3.googleusercontent.com/-komGTMe25vY/WwmuW_UpJyI/AAAAAAAAedY/q1_8skmgCyI98voFH8pca1sXr-GfGA4sACHMYCw/%255BUNSET%255D" alt=""><br></p><p>With Flash being one of DC’s biweekly books we won’t have long to wait to see what comes next. Bring it on - this has been a high-quality series since the beginning of the run, but it’s just gone up a notch. </p><p>/////</p><p><b><i>The Flash #47 review, Joshua Williamson, Howard Porter, Hi-Fi, Francesco Mattina, Steve Wands, DC Comics, Barry Allen, Wally West, Iris West</i></b></p><p><br></p><p><br></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com5tag:blogger.com,1999:blog-6392489189136721402.post-82857768144844588162018-05-23T14:09:00.015+01:002018-05-23T14:28:57.770+01:00The Terrifics #4 review<p><span id="selectionBoundary_1527080797622_10151545452216504" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-UjCeqzwitSo/WwVoC-cfH4I/AAAAAAAAebc/tWfJp_yru048ce-ci6icI5szrJjVednigCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Plastic Man, Phantom Girl, Metamorpho and Mr Terrific are off on a road trip. Through interdimensional space. While the guys are all from 21st-century Earth, Linnya Wazzo hails from the Planet Bgztl, the vagaries of the Dark Multiverse having separated her from her parents. </p><p>Happily, Mr Terrific - the third-smartest man around - can get her home, at least for a visit. She can’t be permanently parted from the gentlemen heroes because the Dark Multiverse has linked them in such a way that if any of them is more a mile from the others... BOOM! Still, it’s not a bad day to be Phantom Girl. </p><p><img src="https://lh3.googleusercontent.com/-rldfZpDc7nw/WwVoNCq-3TI/AAAAAAAAebk/VdRimPAcJT87bFRI-lW19UxjUY9URhCLwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The road home isn’t without bumps, though. The Terrifics - newly named by Plastic Man - are sucked up by a cosmic vacuum cleaner, out to collect space rubbish and sell it for scrap. Soon, the gang are having a Star Wars moment. </p><p><img src="https://lh3.googleusercontent.com/-7eohhqVLpOw/WwVobmCK73I/AAAAAAAAebs/bJ5jkA_XtOkq1_nKotL1l6XiMvDTab8EwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>I won’t spoil the hi-jinks that ensue. Safe to say, though, that storytellers Jeff Lemire and Evan ‘Doc’ Shaner, in their first collaboration on this series, gel wonderfully. The dialogue is full of personality and point, while the art is the work of a born storyteller. </p><p><img src="https://lh3.googleusercontent.com/-s37J-eup6Qc/WwVqd3SwNUI/AAAAAAAAecE/JME8XVi8OqMdM-3mIPnbt-dE9r0cDrQCgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The heroes look splendid, the spaceship setting suitably imposing and the Monster of the Week threatening in a wonderfully wacky way. Where the book really scores, though, is in the final scenes on Bgztl, as high adventure is replaced by deep emotion. </p><p>The character interaction is wonderful; despite Plastic Man and Metamorpho having a bit of a prickly relationship, when there’s work to be done they mesh marvellously. Phantom Girl shows useful insight into a teammate. And dour old Mr Terrific makes a joke! Four very different people are coming together as a team, relaxing around one another. </p><p>Oh, and there’s an Easter Egg for old L.E.G.I.O.N. fans - keep an eye out!</p><p>The colours of Nathan Fairbairn and letters of Tom Napolitano add to the quality of a thoroughly enjoyable issue, one that’s topped off with a wild cover by Shaner. </p><p>Four issues in and this is a favourite series. If you’ve not yet checked it out, this is a great jumping-on point. <br></p><p> ///////////</p><p><b><i>The Terrifics #4 review, Evan ‘Doc’ Shaner, Jeff Lemire, Nathan Fairbairn, Tom Napolitano, DC Comics</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com13tag:blogger.com,1999:blog-6392489189136721402.post-52887772799730894472018-05-23T11:45:00.017+01:002018-05-23T14:05:32.391+01:00Super Sons 16 review <p><img src="https://lh3.googleusercontent.com/-G_jHDEbSKCM/WwVGcN0qTYI/AAAAAAAAeaQ/yaNX378gxzAIcfs8efARspKXkC_4YxMaACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Robin and Superboy’s foe Kid Amazo has taken over the Justice League. It’s using them as batteries to power its android form, but wants a stronger body to contain the power. And it has its eye on someone. </p><p><img src="https://lh3.googleusercontent.com/-17eMWDPfeM8/WwVGvMHeavI/AAAAAAAAeaY/RKpLulhrB0AvsA8l9eJm_hU3rkajsBkBwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The boys aren’t without adult help - although Robin would deny needing any - as Cyborg wasn’t around when Kid Amazo overcame the League. </p><p><img src="https://lh3.googleusercontent.com/-uUYFrMCz4hs/WwVHM_JKYNI/AAAAAAAAeag/EKWSof-bpiQNlTKsTigWXqj70bShOmyYgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Can the Super Sons and Cyborg defeat the villain? </p><p>Well, yeah... this is their last issue, and a framing sequence guarantees their success. <br></p><p><img src="https://lh3.googleusercontent.com/-Q3vOS8Qw4-Q/WwVHmqI6mgI/AAAAAAAAeao/rIEaiaKAYL0dzb3VRoc4wbWgThsYb-WewCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Who are these kids? Who is the nice old chap? Is this a superhero version of How I Met Your Mother? My guess is that the girl is a Kent and the boy a Wayne - apart from the clothing colours, we seem to be looking at a little Lois and a boy Bruce. </p><p>While not relevant to the main story, the close of the book is a nice nod to the fact that while this is the last issue of the series, a second run is coming called, funnily enough, Adventures of the Super Sons. It’s a small shame this book didn’t come out last week, giving us a reassuring hug before this week’s announcement from DC that writer Peter J Tomasi is bringing Damian and Jon back with a 12-issue maxi-series in August. But how great that this isn’t actually the end of the Super Sons having their own book. </p><p>This issue really showcases how far the Superboy-Robin team has come. Faced with a world-class menace they keep the enjoyable snark to a minimum, concentrating on saving the League, and the world. Robin shows a refreshingly mature attitude; his trademark arrogance is dialled down to mere massive confidence, powering the plan he comes up with to use Cyborg as the key to stopping Kid Amazo. Superboy, meanwhile, uses his still-new super-powers with skill and helps keep Robin grounded. </p><p><span id="selectionBoundary_1527072688068_8994420011599" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-VGJoMgBPHxY/WwVIIJ_QxhI/AAAAAAAAeaw/MHP9H6Sw8gkgHC8H4WTzG2iFrwx2nN3gQCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/---mE6Fhg1q0/WwVIQfnE_pI/AAAAAAAAea0/4qd-oq6WIMQF6el8CzzNljgQPLznuIBHQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>As ever, the book is full of great lines. One favourite is this exchange, succinctly summing up the difference between the Super-Dads. </p><p><img src="https://lh3.googleusercontent.com/-6CPTnQM9SEo/WwVIfqMtDnI/AAAAAAAAea8/P8SKtU1kz60pY6HytZkAJ_g6chRk4K9mgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Carlo Barberi handles most of the pencils, with a hand on five pages from Brent Peeples. I can’t see the join, it’s all good-natured, dynamic work, with expressive faces and top-notch storytelling. The pencillers, embellished by Art Thibert and Scott Hanna, nail the action as well as they manage the comedy beats. </p><p>There’s excellent colour work, too, from Protobunker - just look at that gorgeous sky. </p><p><img src="https://lh3.googleusercontent.com/-ZA1jVIjYYpQ/WwVIvdz50AI/AAAAAAAAebI/aiRzPdbKcVMMRmO4E1TjdJRZexoKAXFEgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The letters from Rob Leigh are as good as ever, while the main cover by illustrator Jorge Jimenez and colourist Alejandro Sanchez is just perfect. </p><p><img src="https://lh3.googleusercontent.com/-eMcJ59sbyD4/WwVJOpWWOzI/AAAAAAAAebQ/Qwaml17r3EsseuUKoQvUOfvEXFo6KilcgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>As usual, there’s also a variant by Dustin Nguyen, showcasing the Super Sons along with friends, foes and family. A shout-out, too, to editors Andrea Shea and Paul Kaminski for running a great show. </p><p>So it’s farewell to one of the best series DC has put out over the last few years. I’m looking forward to its return and hopefully the 12-issue run will be the first of many. </p><p>////////////</p><p><i><b>Super Sons #16 review, Peter J Tomasi, Carlo Barberi, Brent Peeples, Andrea Shea, Paul Kaminski, Dustin Nguyen, Protobunker, Rob Leigh, Alejandro Sanchez, Art Thibert, Scott Hanna</b></i></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com5tag:blogger.com,1999:blog-6392489189136721402.post-57780364387649734682018-05-21T21:46:00.020+01:002018-05-21T22:12:05.854+01:00Supergirls and Ladders - thoughts on a new creative team and direction for Kara<p><img src="https://lh3.googleusercontent.com/-nGnizRnr5Ew/WwMwQ8MidUI/AAAAAAAAeZQ/wz4G1sXe_E8ErkfKU2Zj9YWMWfdMZCisACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Up, up and awaaaay! <br></p><p>And sideways. And backwards. And forwards for a little while. Then backwards again...<br></p><p><img src="https://lh3.googleusercontent.com/-88e0gYIah9U/WwMwXbXg09I/AAAAAAAAeZU/05lN-PSPA1Q_5mDl0gS9x0zWofpKodNogCHMYCw/%255BUNSET%255D" alt=""><br></p><p>There’s a famous Action Comics cover that shows Supergirl’s journey from scared teenager to confident heroine in the form of a board game. If they redid that cover today, nothing could be more appropriate than a game of Snakes and Ladders (I believe it’s Chutes and Ladders in the US, which doesn’t sound <i>nearly</i> as much fun). Because every time Kara climbs to the top, she slides back down again, landing on the square marked Bold New Direction. </p><p>Today, the good news came that Supergirl’s comic wasn’t cancelled with #20. Kara will be back soon in the creative care of two excellent creators: Mark Andreyko, best known for his Manhunter series, and Kevin Maguire, whose work on Justice League helped made the series a massive hit. I enjoyed the recent work of Steve Orlando and Robson Rocha on Supergirl, but creators come and go - there are a world of opportunities out there, so it’s fair enough Kara passes into new hands. And I’m delighted that we’re not getting another new volume of Supergirl. </p><p>In <a href="http://www.syfy.com/syfywire/exclusive-supergirl-returns-with-new-creative-team-and-brand-new-costume">an interview at Syfy Wire</a> Andreyko says his run is set up by incoming Superman writer Brian Bendis’ Man of Steel mini-series, in which new villain Rogol Zaar claims to have been behind the destruction of Krypton: ‘This Supergirl book spins directly out of the events in Man of Steel, so the books are very complementary to each other. I’m following Brian’s lead, and he’s got a lot of epic stuff planned for Superman. And while the books are complementary to each other, you don’t have to read both to enjoy them, but if you do, you’ll enjoy the story more. The first year of the book is definitely tied in to things that are revealed during the Man of Steel miniseries.</p><p>‘The baseline story is very big. She’s trying to learn why he does what he does, where he comes from, and if there’s anyone else involved with him. It’s a detective story in space. She’s looking for answers to the questions that have been raised by Rogol Zaar. There will be familiar faces, some new faces, all sorts of challenges facing her, and also some potentially new supporting characters who will hopefully be well received and stick around for a while.’</p><p><img src="https://lh3.googleusercontent.com/-B8UHgEeOEvQ/WwMx2tN-a4I/AAAAAAAAeZk/nAsGY2XDCFkI-KqWYRjLWqLeRAYcAYhgACHMYCw/%255BUNSET%255D" alt=""><br></p><p>OK, fair enough, a year of Kara in space. On the one hand, why not? Hal Jordan did the ‘Exile’ bit, Superman too, why shouldn’t Kara have a similar right of passage. It’s never my favourite story engine - I like Earth to be the norm and space the exception - but Andreyko is a fine plotter who favours strong emotional character beats. I’m interested to see what he can do for Kara. </p><p>On the other hand, we have this quote from Andreyko about Kara: ‘She’s a fascinating character because technically she’s older than Clark. He was a baby when he came to Earth. She was already a teenager when Krypton got destroyed. Unlike Clark, who grew up around humans, she lost everyone she knew and loved. For her to come to Earth and take on the mantle of Supergirl as a way of qualifying herself as Superman’s cousin, there’s a lot of interesting mental and emotional ground to explore with Kara and finding her place in the universe. She’s dealing with a lot of stuff that she buried and was stirred up by Rogol Zaar’s appearance. The external journey of her going on this quest through space mimicks her internal, emotional journey in finding out who she is and where she fits in. Your characters always have to have an emotional journey. Otherwise, it’s like you’re just watching someone play a video game.’</p><p>Well, I wouldn’t want <i>that</i>. I’ve already expressed a preference for more old-fashioned fare. But Kara going on an emotional rollercoaster to learn who she is, where she fits in? Been there, done that. More than once. But let’s stick to the last couple of decades. We’ve had the Jeph Loeb Supergirl slowly moving from being a childlike, easily manipulated character to a fully rounded heroine, latterly under writer Sterling Gates. The New 52 brought us a new version of Kara, one who absolutely hated Earth but, after numerous trials - including an unpromising, but triumphant period as a Red Lantern - also emerged as a fully realised heroine. DC Rebirth kept the same version, but wound back her character development, making her seem younger, more confused. By the end of Orlando’s run, though, she knew who she was. Here’s the last page of #20. </p><p><img src="https://lh3.googleusercontent.com/-4MCg2QhksP8/WwMyIGZjMAI/AAAAAAAAeZs/loiZ8htLKAo7XGJfzaUQ_iu0n_MQNI-IgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Does that seem like a person who needs to find themselves?</p><p>I realise that for a writer, figuring out a character is fascinating. But as a reader, I want to see what happens to Kara <i>after</i> this point. I want her to move forward - every time she approaches the level of maturity she had in the late Bronze Age, she’s wound back and must find herself all over again. Even when the Daring New Adventures of Supergirl series knocked a few years off her age she retained the maturity she’d earned over the previous quarter of a century. </p><p>But here we go again. For at least a year Kara’s Earth supporting cast is on the backburner; heck, they may wind up in comics limbo, as has happened so many times with Supergirl’s family and friends. Andreyko has the skill to sell Kara’s mission for Superman as a vital one; a guy claiming to have killed Krypton is obviously as much Supergirl’s problem as Superman’s... but at base, this sounds very much like Kara’s series is becoming an adjunct to Superman’s. It’s undeniable that so far as characters go, Kara is a derivative of Superman. But she’s long since earned the right to her own stories set in a world unique to her. </p><p>I’m not a fan of Bendis, but I am a fan of Superman, so the writer has a few issues to show me what he’s got. I’m a fan of Andreyko <i>and</i> Supergirl, so I’ll be supporting the book for awhile - if only to see why the heck she’s suddenly carrying an ugly great axe. I hate the idea as much as I abhor Wonder Woman whacking people with a sword - these are super-beings, they should not be resorting to vicious tools of war. </p><p><img src="https://lh3.googleusercontent.com/-k19hDJ3T8d4/WwMyS8hFV_I/AAAAAAAAeZw/Lxd424edu9IQP0JzE-IlDLfhlvZS-QxbgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Ah yes, the new costumes. The hoodie variations, Andreyko tells Syfy, are temporary, and utilitarian, there to support her space activities. I don’t like all the black, but perhaps she’s undercover and has to blend in. Maybe the extremely peculiar crotch sash is there to fan out and hide an S-symbol she shouldn’t be seen with while undercover, but one she will never outright reject. We shall see. I much prefer the more traditional new look which, it seems reasonable to assume, will be her uniform going forward. </p><p><img src="https://lh3.googleusercontent.com/-C1fmF97uo0c/WwMyYtr-d4I/AAAAAAAAeZ4/grh9yXGxtFIQQwVxnWc2aRCmUBg8IPIXwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Apart from the yellow heels and toes, they’re an accent too far. I do like the idea that Kara will have different looks for different occasions, that takes me right back to the early Seventies when almost every issue of Adventure Comics would see Supergirl donning a reader-designed costume until, finally, one stuck. Boy, I’d love to see a contest to supply Kara with an outfit or two! </p><p><img src="https://lh3.googleusercontent.com/-hfkQE-1mz2Q/WwMyuHJ5rmI/AAAAAAAAeaE/TjjAdRYRXaoyJVjH1ByWz8Vxg2aGSW2zwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>One thing I know is that with Kevin Maguire at the drawing board, Kara isn’t going to lack expression. Maguire made his reputation with his character ‘acting’ and I don’t doubt he’ll do right by Andreyko’s scripts. And who knows, once Kara gets back to Earth, Andreyko might pick up characters and subplots from the most recent run, and maybe even bring back Silver Banshee, Maxima and Michael from the New 52 issues. (But not Comet, he was rubbish.)</p><p>To sum up, I’m very glad the Supergirl series is returning, and that she’s going to be handled by two talented veterans. </p><p>I’m not thrilled that Kara’s going into space for an extended period, and I’m utterly dismayed at the idea she’s going to be - and I realise Andreyko never used the phrase - ‘finding herself’. </p><p>I like what looks like it’s going to be Kara’s regular outfit - if the axe never makes it behind this promotional art I will be very happy. </p><p>The idea of Supergirl as a soldier in Superman’s current war rather than an adventurer whose stories revolve solely around her dismays me; I know her original gig was as Superman’s ‘secret weapon’ but Supergirl very quickly won the right to make her own role. </p><p>My big problem is that Kara has yet <i>another</i> new direction, one which feels more about letting Brian Bendis pretend we’re in early John Byrne post-crisis days (see also the removal of Superman as family man) than it is about logically continuing the character’s own story. </p><p>What do <i>you</i> think?</p><p>///////</p><p><i><b>Supergirl, Mark Andreyko, Kevin Maguire, Brian Bendis, Rogol Zaar, Steve Orlando, Sterling Gates, Robson Rocha, Jeph Loeb</b></i></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com7tag:blogger.com,1999:blog-6392489189136721402.post-42369376645040514572018-05-17T22:21:00.026+01:002018-05-17T23:20:04.116+01:00New Challengers #1 review<p><img src="https://lh3.googleusercontent.com/-B4Uj-_J8kOk/Wv33GkvhrGI/AAAAAAAAeYg/JAbroloKwEw2Npuc37JhvGDHZejYh5SbgCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-wopqBmZ_PHk/Wv326DsFABI/AAAAAAAAeYY/RfNQVXv5RJcIwNCQDiZl878GulivKP-ngCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-vre7qCK56io/Wv33SRN5HtI/AAAAAAAAeYo/jfqvg9uOjX8tHeQcn3514QeE9XHKT2c1QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Trini Alvarez. Robert Brink. Moses Barber. And... ‘Krunch. Just Krunch’? Four adventurers living on borrowed time, ready to face the challenges of the Unknown. </p><p><img src="https://lh3.googleusercontent.com/-oX__rfjPBZI/Wv30CoUuLzI/AAAAAAAAeXs/otu4bXxs2TItUJLedPvOYbFxod06IrRlgCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-yKlN3Y22BRY/Wv30HIOLkMI/AAAAAAAAeX0/SLXPXK5C7EINdGQl5rFrP5PHbYYO457iQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Here we go again. DC returns to the Challengers of the Unknown concept but without the original team. Instead we get a quartet of new characters gathered by, it seems, one of the members created by Jack Kirby and Dave Wood way back in 1957. The new guys fall down a rabbit hole and don’t have time to catch their breath before they’re knee deep in a world of terror. </p><p><img src="https://lh3.googleusercontent.com/-PRBZDJKU_k0/Wv331K41S-I/AAAAAAAAeY0/cB-T2NHHtbkPDePxpErJSfqG_R2lrhNggCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The new Challs don’t have the freedom of choice enjoyed by the originals, they’re cajoled into going on a mission by a man known only as ‘Prof’. Anyone familiar with the first team will assume this is Prof Walter Haley, expert diver and all-round good guy, and if that’s the case, well, bummer. Because this isn’t a good guy, as we see in a mid-book twist. </p><p>I won’t spoil it, because it’s a neat, dramatic moment, but it’s where the book loses a lot of goodwill. I’m not the biggest Challs fan in the world, I don’t blog about them, own the Archives or have a podcast. But I’ve read a lot of their adventures, and relish their rare guest appearances. Claiming to honour previous Challengers teams while presenting an original member as a bastard doesn’t work for me.</p><p>As for the new players, in time I may come to like them, but writers Scott Snyder and Aaron Gillespie make some really odd choices with the first character they choose to spotlight. The narration of this issue lies with Trini who, we learn, hails from the Narrows district of Gotham seen in Snyder’s Batman run. She’s not just a strong woman, she’s the type of woman a Claremontwoman would consider dangerously cocky. </p><p><img src="https://lh3.googleusercontent.com/-rYQGBZVj8dA/Wv31kVQUUJI/AAAAAAAAeYQ/3iHIFTep27wdBD_XsCRxLFiLMYakqjS8wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>God complex, much? I get that Prof wants strong-minded outcasts but this gal seems a total basket case. </p><p>Veterans Andy Kubert and Klaus Janson provide art that fits the cold, scary mood of the book with generally decent storytelling - a mountain-set prologue involving a bleeping prop could be clearer. And as I’ve said previously, artists today really should remember that reading digitally means they can’t get away with sketchy panels because we’re zooming in </p><p><img src="https://lh3.googleusercontent.com/-llQtVj0vjTo/Wv31Le4po9I/AAAAAAAAeYI/nRn2Xt3gTWAJdtWjUjb_Q3QfbRK9nTgmwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The characters are well differentiated, though, the reveal of Prof works very well, and once the new Challengers leave their mountain base, things get all kinds of exciting. </p><p>And that’s a terrific extra-long cover by Kubert and interior colourist Brad Anderson, with a good look at the new team, a nice genre mash-up and the real - sorry, ‘original’ - Challengers of the Unknown. But that’s a horrific logo, especially compared to its Silver and Bronze Age predecessors, all curved confidence. </p><p><img src="https://lh3.googleusercontent.com/-7r6Do5QpUHk/Wv4ACsiv-CI/AAAAAAAAeZA/jtNH3BEqp2I_iEbpOAlTHHC9T4agJhQEACHMYCw/%255BUNSET%255D" alt=""><br></p><p>And what’s with the emphasis on ‘LL’? A hint that Lex Luthor is someone involved?</p><p>I admit I’ve an inbuilt resistance to a twisted version of the Challengers - Prof, Rocky, Ace and Red were simple archetypes, but they gelled; sure, they’re Fifties guys who could do with a mild makeover for the 21st century, but Snyder certainly has the skills to make them work. And if he brought in gal Chall June, or Corinna - or both - all the better. I’ll give this a few issues to see where it goes. I’m a sucker for books that play behind the curtain of a known fictional universe, and there are some entertaining teases in here, including an implied link to another DC Age of Heroes book. While I don’t know Gillespie, Snyder has provided me with enough entertainment that he deserves a chance. </p><p>///////////</p><p><b><i>New Challengers #1 review, Scott Snyder, Aaron Gillespie, Andy Kubert, Klaus Janson, Brad Anderson, Challengers of the Unknown</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com12tag:blogger.com,1999:blog-6392489189136721402.post-27018524863928704692018-05-16T22:13:00.024+01:002018-05-16T22:49:34.636+01:00Superman Special #1 review <p><img src="https://lh3.googleusercontent.com/-OfWmF_5hs54/WvyfMzxrCjI/AAAAAAAAeVc/ME4xZVO0VmYXgD2RNcqDOye_1AgHnyYjACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Jon Kent can’t sleep. There’s a wooden leg looking at him from across his bedroom, reminding him of a promise he and his father made. They’ve not broken it, but neither have they fulfilled it. Months ago, they were stranded on Dinosaur Island, a strange realm of monsters that may be in the past, or perhaps ‘just’ on another plane of existence. All Jon and Clark know is that it’s a long way away. </p><p>There, they met World War Two hero Captain Storm, last survivor of the elite fighting force known as The Losers. He sacrificed his own chance to get off the island to ensure Superman and Superboy could return to their home. </p><p>It’s time to go back for Captain Storm. The mad science cube that took them there has enough power for a return journey so off they go, determined to find Captain Storm. He’s not difficult to locate, as they arrive smack bang in the middle of a battle he’s having - with his lunch. </p><p><img src="https://lh3.googleusercontent.com/-KdRBIlSXw04/Wvyf_qv4P5I/AAAAAAAAeVk/ngsYJzFRzbo4NebSs9mpE6M5Ohdgn85zwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Bye-bye Mr T-Rex. After some rather colourful antics, they’re back in 2018 with Captain Storm, and helping him adjust to a life eight decades beyond the one he knew. And just as Jon and Clark had a mission, so does Captain Storm. </p><p><img src="https://lh3.googleusercontent.com/-Tm_fagdW-08/WvygqDydtvI/AAAAAAAAeVw/l2IB2bhRLToQnicWZEAQTaEb_1ICoVbFgCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="blob:file:///1c1d12d9-e718-4b03-8545-89c104ace648"></p><p>As a new era for Superman draws ever nearer, here’s one more outing for Peter J Tomasi and Patrick Gleason, the writers who have made Clark, Lois and Jon Kent their own these past two years. And a great final bow it’s is. You can’t beat a dinosaur fight, and it’s good to see Captain Storm isn’t left in limbo. He gets a few solo pages and they’re rather affecting. The easy friendship that develops between him, Clark and Jon is good to see - they’re all men of honour - and while Lois barely appears, she gets a lot of respect. The characterisation we’ve come to this expect is present, with this moment being a highlight. </p><p><img src="https://lh3.googleusercontent.com/-bEJbuEf15W4/Wvyhi_s0mFI/AAAAAAAAeWA/F97Zxir8gEA5t8p5VTPN7GsbXAh6F3DXwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Despite instigating the mission, Jon is a little nervous about going back; it’s nice to be reminded that while he’s a brave wee soul, he’s still a kid and going to be nervous occasionally. Clark gives him the option of staying behind, but Jon has the heart of a hero, and a Dad who has his back. Of course he goes. </p><p>In an especially lovely touch, the final panels of the story are a nod and a super-wink to the most famous Superman era ending of all. </p><p>The art is by Scott Godlewski, who illustrated the Road Trip story last year, and just as that two-parter was about acknowledging tradition and remembering those who took a stand in building the United States, this one asks us to remember the fallen who fought to keep their world free. I can’t claim any insight, the title, lettered by the ever-excellent Rob Leigh and coloured by the talented Gabe Eltaeb, provided a rather large hint. </p><p><img src="https://lh3.googleusercontent.com/-B8Roifik8Xc/WvykBtbS8xI/AAAAAAAAeXE/r3mR4yhzR6EsMcybYNHPdwYkb4zdyU18wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>As for Godlewski’s art, it’s dynamic, the storytelling is fine and that’s one hunky Captain Storm. </p><p><img src="https://lh3.googleusercontent.com/-bM3ziQDnYpA/Wvyj4hRoP0I/AAAAAAAAeXA/dB6t33YdbnMgvDpKHlzCS_RTEwiG2qSagCHMYCw/%255BUNSET%255D" alt=""><br></p><p>I bet a few hearts have been set a-flutter, but I won’t yearn for him to join the Suicide Squad or set up a modern-day Losers. Let the guy have his, if not happy, then bittersweet ending. </p><p>For Those Who Serve isn’t some leftover tale DC has slapped ‘Special’ on... it’s 30pp, ten more pages than a regular comic has to play with, and that ending is a very definite goodbye from Gleason, Tomasi and their collaborators. </p><p>This special also has a couple of shorts. Mark Russell and Bryan Hitch show us what happens when Superman, just back in Metropolis and rather knackered after a space journey, must immediately leap back into action. </p><p><img src="https://lh3.googleusercontent.com/-IlnjFaStrxA/WvykOSQSraI/AAAAAAAAeXI/6DCWVQm8Bs0aBLCiL-VDvIl73DnivBE1QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Bigger than the Atlantean insect is the problem he faces when a man he rescues from a collapsing building asks him to go back in for something. But when faced with the choice of saving a pet, or some precious photographs, there’s no dilemma. </p><p>I’ve an aversion to flashbacks showing us the wisdom of Pa Kent - it’s become as much the modern Superman cliche as angry heat vision eyes - but Russell keeps the callbacks small and focused, and sentimentality at bay. Hitch, with his love of big moments, is the perfect choice for Strays and Strangers, but he also gets to remind us that he’s better than most at facial expressions. And Alex Sinclair’s naturalistic colours suit a tale that marries big action with real intimacy. </p><p>The final tale surprised me with its focus on former Superwoman supporting character Atomic Skull, but he did start out as a Superman villain in the Seventies. Now a probationary member of the Metropolis Special Crimes Unit, his history with our hero informs a sharp short that manages to surprise. As far as I can see, this is writer Ian Flynn’s first DC comics script - though he looks to be involved with a new DCU video game - but he’s written about a million Sonic the Hedgehog comics so knows how to put together a neat story in just a few pages. I hope this is the beginning of a beautiful friendship with DC, because right off the bat, Flynn shows that he gets Superman, Atomic Skull and SCU chief Maggie Sawyer.</p><p><img src="https://lh3.googleusercontent.com/--LTOwWq3JNI/WvykZFV-udI/AAAAAAAAeXQ/paFEz8jGu9MJe_xGQvHzNP1uZ6de2zSGgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The art’s a treat too, as Kaare Andrews provide full-colour illustrations that are full of personality - just look at hapless Albert Michaels scratching his atomic arse on the first page. In his bunny slippers. </p><p>This issue’s cover is by Jorge Jimenez, whose time with the Super Sons has seen him rise to stardom - he’s drawing the Justice League relaunch - and it’s another winner, the figures totally popping out of the image. Colourist Alejandro Sanchez deserves kudos for his part. </p><p>I don’t know how I’ll feel about the coming Superman stories as former Marvel writer Brian Michael Bendis takes creative control. If I don’t find them to my taste, well, I’ve two fantastic years of stories helmed by Gleason and Tomasi, drawn by such excellent artists as Gleason, Doug Mahnke and, of course, Godlowski and overseen by editors Paul Kaminski and Andrew Marino to look back on and enjoy all over again. </p><p>And this is the perfect capper, with each story focusing on one aspect of our hero’s character: the importance he places on keeping a promise, how compassion informs his judgement and how he gives everyone a chance to find their best self. That’s Superman. </p><p>Thanks guys, don’t be gone too long. </p><p>////</p><p><b><i>Superman Special #1, Peter J Tomasi, Patrick Gleason, Scott Godlowski, Kaare Andrews, Bryan Hitch, Mark Russell, Ian Flynn, Gabe Eltaeb, Alejandro Sanchez, Rob Leigh, Jorge Jimenez, Alex Sinclair, Rob Leith, Captain Storm, The Losers</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com7tag:blogger.com,1999:blog-6392489189136721402.post-15585802647476960122018-05-10T22:26:00.018+01:002018-05-10T22:49:53.041+01:00Justice League: No Justice #1 review <p><img src="https://lh3.googleusercontent.com/-lfSoy-2UZwQ/WvS4638NJ7I/AAAAAAAAeUU/iMlkupjN7nsGXSVuyzwLAOqdKpFHv-M1QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>In space, the Green Lantern Corps are having no luck repairing the Source Wall, broken by the Justice League in the recent Dark Multiverse case and now spewing forth all kinds of insidious energies. </p><p><img src="https://lh3.googleusercontent.com/-tyqGo8qIyoI/WvS5K5JOgPI/AAAAAAAAeUc/JxmAx84fuu8PmDGrf1MJx3LBrZOrSjfTQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>On Earth, an invasion by Brainiac is being tackled by the League, the Titans, Teen Titans and Suicide Squad, as the latter’s leader/jailer, Amanda Waller, watches. Superman has defeated the Computer Tyrant of Colu previously, and with the League at his side, he isn’t worried - he’s confident.</p><p><img src="https://lh3.googleusercontent.com/-JCnHEcHijBs/WvS5VTLzhII/AAAAAAAAeUg/GR6jpXLa4mYIo19hGLpJZZFfELyP_RQRQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Then humbled. </p><p><img src="https://lh3.googleusercontent.com/-4bhUEet30eI/WvS6Hao7X-I/AAAAAAAAeUs/dFrjKU7chWI_Nka-96saLW0ogEGYc-XNACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Strange as it may seem, Brainiac’s forces defeat the teams, and select members are kidnapped and taken to the villain’s ship. As introductions are made, they notice that they’re wearing adapted versions of their costumes. </p><p><img src="https://lh3.googleusercontent.com/--2p-p8ckLVE/WvS6Zg4snyI/AAAAAAAAeU0/7n9oavqyb-M0edBIRA5o_NhEuM0Vh9YEgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Brainiac appears and explains that he’s reconfiguring the heroes and villains in order to fight a mind-blowingly big threat from behind the Source Wall. The Omega Titans are set to resolve an eons-old argument as to which cosmic energy favoured by the individual brothers is the strongest. They’ve seeded worlds with Wonder, Mystery, Entropy and Wisdom, and the ‘gardener’ of whichever world is deemed the most successful will reabsorb that planet - eat it, basically. And they’re starting on his home world of Colu, where, supposedly, Wisdom reigns supreme. Brainiac posits that the only way to stop a contest winner from emerging is to ensure the energies remain balanced - and his four new Justice Leagues are the best chance the universe has. If the Terran heroes and villains refuse to cooperate and let Colu die, well, he’s fixed it so their next stop is Earth!</p><p>Back on Earth, though, well-meaning super-control freak Amanda Waller is about to throw an almighty spanner in the works. </p><p><span id="selectionBoundary_1525987980170_18963440636706486" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-w2YYQQdvmZw/WvS64D1BL1I/AAAAAAAAeU8/qp-pUI53qJUYE9wEsBNOz8UKRaEq22JCgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Well, this was a big surprise. It’s years since a big DC event proved particularly engaging, and the idea of colour-coded Justice Leagues, starring the likes of Starro and Sinestro, seemed more toyetic than promising. But this first weekly issue of four grabbed me from the off. I don’t know how writers Scott Snyder, Josh Williamson and James Tynion IV are breaking down the workload - co-plotting then writing individual issues? - but whatever they’re doing here works wonderfully well. The overarching plot fits nicely with the Kirby-er side of DC mythology, while the characterisation and interaction is pure pleasure. From Zatanna claiming to hate teams while showing herself to be a natural leader, to Starfire wrangling Beast Boy (‘Gar. Settle’) to the recently reformed Lex Luthor showing his true colours with a wonderfully Silver Age J’onn J’onzz...</p><p><img src="https://lh3.googleusercontent.com/-LScyJ5kSjy4/WvS7SUjt_II/AAAAAAAAeVE/QHWgOTJB9scIB-SCVwFKDqTOvfc5t4sFwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>... this is fine work. Good grief, at one point bad dad Batman even shows concern for Damian. And hearing Hal Jordan refer to his fellow GLs as ‘ring slingers’ fair made my old comic reading heart melt. </p><p>Should Brainiac be able to take down Earth’s greatest superheroes and villains so easily? I’m good with that, it’s traditional for the villain to win Round One - the difference here is that Brainiac frees the heroes before they get to demonstrate that they could do so themselves. </p><p>Brainiac’s justification for reorganising the heroes and villains into unlikely teams seems logical, but that’s him all over. I won’t be surprised should the Earth folk save the day by following their hearts rather than his head. </p><p>Francis Manapul is a brilliant choice of artist, with his talent for imaginative layouts making the necessary infodumps more than palatable. He captures the grandeur of the Omega Titans while making the smaller moments equally compelling. The natural serenity in Manapul’s linework is a nice complement to the big and bonkers story we’re getting. I really like seeing Brainiac’s late Bronze Age starship again, it’s super-creepy and the way its tentacles torment the Justice League recalls the team’s debut bout with Starro, waaaaay back in The Brave and the Bold #28. </p><p>The colours of Hi-Fi add extra spice, with highlights including the starscape of the opening spread, the appropriate red tones of the Crisis Alert screens and the panel showing the silhouetted Justice League. </p><p><img src="https://lh3.googleusercontent.com/-kFKoFU1AmeE/WvS7msOdO0I/AAAAAAAAeVM/IyfZwTYnHh08w50uY21q-a9Lw81Z9GtyQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The lettering from Andworld Design is sharp, the font choices sensible and attractive rather than showily hyperactive >cough <i>Dark Knights: Metal</i> cough<.</p><p>The wraparound cover is a little disappointing, with the heroes in a dull composition and if you didn’t know Starro was present, you’d likely miss him - we need to see those five fabulous ‘fingers’. Plus, the Omega Titan background image is barely there. </p><p>That’s one small quibble with a massively enjoyable issue. I don’t know about Entropy, Wisdom and Mystery, but No Justice is certainly putting Wonder back into DC events. </p><p>///////</p><p><b><i>Justice League: No Justice #1 review, Scott Snyder, Josh Williamson and James Tynion IV, Francis Manapul, Hi-Fi, Andworld Designs, DC Comics </i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com28tag:blogger.com,1999:blog-6392489189136721402.post-17567231764096761672018-05-10T19:43:00.026+01:002018-05-10T22:22:25.304+01:00Flash #46 review<p><img src="https://lh3.googleusercontent.com/-ieeaKtAYoz0/WvSUzu_TbkI/AAAAAAAAeTI/NE68a4XNk0c_Im5nDb7ezZ63tyY7-jtLACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Wally West's head is spinning. As he regains more of his pre-Flashpoint memories, the more out of touch with his new reality he becomes. A worried Barry Allen calls in some experts.</p><p><img src="https://lh3.googleusercontent.com/-bKJPtIeltkg/WvSU_4dsTPI/AAAAAAAAeTM/Z2AnzZZiJTkt3QMPAUrZ9gifeKck_zTOQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>In the future, Eobard Thawne and Hunter Zolomon, dark reflections of Barry and Wally, are trying to agree on how best to find happiness. </p><p><img src="https://lh3.googleusercontent.com/-bicdrpX37wo/WvSVUrqKdOI/AAAAAAAAeTY/8g4BT7rslhgUqtOetOnvfPst5pVz_j8cwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Revenge vs recognition of tragedy? Is either Reverse Flash right?</p><p><img src="https://lh3.googleusercontent.com/-DWEsMzPLcC8/WvSWR4eAigI/AAAAAAAAeTk/C8kahEdcQ_EQGxsbDM0jla2Xs-BJrmIiACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Back in the present, Wally can’t take any more of being physically and mentally poked and prodded, and Aunt Iris, who's only just regained her memories of the original Wally West, a few months after Barry, agrees he needs a break. Barry, though, is determined to solve the problem of why his 'new memories' are tearing Wally apart, whereas he and Iris are fine. He decides to visit Batman, but the Caped Crusader is out with fiancée Catwoman. Bat-butler Alfred, though, is there to be the calm at the centre of Barry’s emotional storm. </p><p><img src="https://lh3.googleusercontent.com/-T8F2DqNSF-w/WvSWqibIm1I/AAAAAAAAeTs/xb44iq8AVQQpXIszan3cr-FqSldobhQAgCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-7GTt0nCiyac/WvSW0-LppJI/AAAAAAAAeTw/2fjoOOLv-0g4dRCdPX7-fPp1ctwQ4z1CgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Is it wrong that a scene with Alfred and Barry is my highlight of what is actually a pretty good issue? Josh Williamson writes Alfred so very well. This issue would be more immediately appealing without Zoom or Thawne, I've just seen both far too many times, in comics and, recently, on TV. Just as the last couple of decades have seen Green Lanterns mainly fight other ring wielders, so speed-based powers have dominated Flash stories, with such unlikely souls as Gorilla Grodd and a revamped Top getting in on the act. And everyone is so obsessed, from Zoom with revenge to Zolomon with tragedy to Barry with solving his mother's murder and, now, the Wally problem. I can't wait until the current Doomsday Clock series by Geoff Johns (the writer who made the Green Lantern and Flash series into cycles of 'rinse and repeat') is over - surely <i>someone</i> has a story about Barry Allen's comic collection they're dying to see print. (Please God the recently announced Brian Azzarello Flash series is an extra book, not the sole deal; Azzarello is <i>not</i> a writer who skews to the whimsical.)</p><p>I enjoyed the testing scene a lot, it's a smart use of the superhero community, and seeing Scott Kolins draw Justice League characters is a real treat - I especially like that Zatanna panel, with the horizontal hair and surfeit of bunnies. Kolins does a terrific job throughout, it's great to see him draw Wally again - as Johns' partner on the old Wally Flash run, he defined the hero for years, and his art has lost none of its pizzazz.</p><p>There's plenty of energy in Williamson's script, too; I might not want to see the Reverse Flash and Zoom, but there's no denying he captures the drama of their encounter; Zolomon narrates much of the issue, and it works, reminding us that the guy is bananas. And I liked the surprise of where the Spiteful Speedsters' future scene fits in relation to recent DC stories.</p><p><img src="https://lh3.googleusercontent.com/-A-mRyxG8Akc/WvSXDY-vz6I/AAAAAAAAeT4/tIdyDOiNK_gHOCDf3z1Lp4UpCYg9PR4HwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>So far as Easter eggs go, what is the 'P Age' of 2006. Platinum?</p><p>Luis Guerrero does a splendid job of differentiating the two Flash costumes with different shades of red, though Wally's DC Rebirth look remains, to use a British colloquialism, pure pants. Mind, he's only ever had one good outfit that was all his own, the red and yellow look, and Wally II has nicked that. Steve Wands' lettering is as reliably fizzy as ever, adding to the energy of the pages.</p><p><img src="https://lh3.googleusercontent.com/-6fxutc-jos4/WvSXRq0_MxI/AAAAAAAAeUA/pVghneilbP40rMnXpUNSA-7hKklecjPVQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Add in two fine covers - the mind-mangling regular image by Dan Panosian and the tooth-jangling variant by Francesco Mattina, and you have a very solid prelude to Flash War. Speedster fighting speedster. Again.</p><p>/////////////////</p><p><b><i>Flash #46 review, Joshua Williamson, Scott Kolins, Luis Guerrero, Steve Wands, Dan Panosian, Francesco Mattina</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com16tag:blogger.com,1999:blog-6392489189136721402.post-51567914553782877122018-05-05T14:14:00.029+01:002018-05-06T14:40:23.664+01:00Action Comics Special #1 review <p> <img src="https://lh3.googleusercontent.com/-oTAEjV2dkeQ/Wu2us-T8i7I/AAAAAAAAeQs/yq_EWVO8SfkDmcFhkIpvj_2Yhs_1s6NZQCHMYCw/%255BUNSET%255D" alt=""></p><p>It’s the last hurrah for Dan Jurgens on Action Comics. And ‘hurrah’ is the last reaction you’ll get from me - I’ve been a big fan of his latest run as writer, and occasionally artist, on Superman. Good on DC, though, for letting Jurgens say goodbye with an extra-sized special. The 30pp Last Will and Testament of Lex Luthor is a capper to the long-running storyline, begun in Geoff Johns’ Justice League, which has seen Superman’s arch-foe fighting on the side of the angels. </p><p>The tale opens with someone sneaking into the Fortress of Solitude while Superman’s away and discovering something big. </p><p><img src="https://lh3.googleusercontent.com/-G3LJBaT78aU/Wu2vUyHh6bI/AAAAAAAAeQ0/ZC-YH66idNUoJEoQPrSkZBvSdqtdzwcwACHMYCw/%255BUNSET%255D" alt=""><br></p><p>It’s Lex Luthor, and he’s now in a position to take his final revenge on the Man of Steel. Apparently he’s had enough of either trying to be a better man, or pretending to be one, and ready to destroy Superman’s life once and for all. And if that means Lois Lane has to die, so be it. </p><p>Over in Metropolis, Superman is returning home late from a Justice League meeting (‘Bruces strategy sessions go on forever’), meaning he’s missed seeing Lois leave on a flight to Paris, but Jon’s happy, Dad’s brought his favourite pizza. A text message wipes away the smile. </p><p><img src="https://lh3.googleusercontent.com/-_N9NzmTJx0E/Wu2v1ksLYGI/AAAAAAAAeQ8/SPMiTM1xxFEgAxQwTXFI5JgDTweRfhLlQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Intuiting the danger to his wife, Superman takes off, but not before telling Jon to get to a protector’s side. </p><p><img src="https://lh3.googleusercontent.com/--ivFtkfiABM/Wu2w9J5pI_I/AAAAAAAAeRM/vqqcY7L196cvIoOtt4FWP0AzNxqbfnv_wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>And in the proverbial nick of time...</p><p><img src="https://lh3.googleusercontent.com/-7Y59GHhNHkg/Wu2xM-vsRxI/AAAAAAAAeRU/b25dAUkM_f8_k9GouHSNI64oh3j8GoYwgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Clark and Lois ponder the possibilities and decide only one man has it in him to have carried out this attack. Time to call on Lex Luthor.</p><p><img src="https://lh3.googleusercontent.com/-2V-8yjfHEv0/Wu2xVPL5ADI/AAAAAAAAeRY/xRekkb41bwowMG7Q0RMvR0IXAsZjZDq_QCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-2k9bxOqBMMU/Wu2xclBYxfI/AAAAAAAAeRc/R92fHHZGO78HopQvCcsscE123CipRehMgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Hmm, is he telling the truth? That certainly looks and sounds like Lex earlier in the story. With one difference, which I won’t spoil. What’s more, an x-ray vision examination of a nearby vault shows Lex’s armoured super-suit hadn’t been taken out for 36 hours. Is someone framing Lex?</p><p>The answers come quickly in this done-in-one story, and make sense in a delightfully Bronze Age way; heck, the telling details are right there in the words and pictures of the first two pages, but I never spotted them - I’m not one for too-close examination of a story on first reading, I prefer to be swept along at whatever pace seems natural. </p><p>The only thing that isn’t especially typical of the Bronze Age - doomy ‘Relevance’ stories apart - is the ending. We close on a rare note of pessimism from Superman, one that would be entirely fitting for most of us, given the circumstances, but Superman? I prefer more hope with my heroics. See that big, silly grin Superman has as he’s flying home with the pizza at the start of the book, courtesy of artist Will Conrad? </p><p><img src="https://lh3.googleusercontent.com/-6oOwMxGGPe8/Wu2yR20zkAI/AAAAAAAAeRs/zSoKlsJkfcgM-Mae4jAq56CBGrwFFi36wCHMYCw/%255BUNSET%255D" alt=""><br></p><p>That’s how I wanted this issue to end, with a happy Superman to mark what’s been, Mr Oz apart, a triumphant run from Jurgens. </p><p>Ah well, got to let the writer follow his muse, eh? Just getting a special issue, acknowledging how much Jurgens and his collaborators have done for Superman over the last couple of years, is great, and I enjoyed this story a lot. Clark, Lois, Jon and Lex are all spot-on so far as characters and interactions go. I especially liked the story’s subtle nod to one of the most famous John Byrne tales, in which Luthor put lots of resources into discovering his foe’s other identity, came up with Clark Kent... and his own ego wouldn’t let him believe a man with all that power would pretend to be a regular human. There’s also a callback to Lex’s early romantic interest in Lois, something that’s not been referred to in decades. And Superman acknowledging that Supergirl could protect Jon as well as himself, that’s nice. </p><p>There’s a good exchange between Luthor and Superman which made me think of a column from Chris Sims at the old Comic Alliance entitled ‘<a href="http://comicsalliance.com/ask-chris-327-lex-luthor-superman-love-story/">The Thin Line Between Love and Hate</a>’. </p><p><img src="https://lh3.googleusercontent.com/-ZvyyWS5E6Oo/Wu2yk0L6DfI/AAAAAAAAeR0/Br1Nv-2u2HQYuSxZQAmbGG9_Ni4GJcltwCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-T9nonB2QuCk/Wu2y1OrAq2I/AAAAAAAAeR8/LgZBImOknq8ixLbkx8raVP5-4UEQtSbFgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>A story focussing on the fundamental differences between Superman and Lex is a fine way to end a run. And having this happen...</p><p><img src="https://lh3.googleusercontent.com/-lQwbuW8lOh0/Wu2y_e2803I/AAAAAAAAeSA/CARz-sByDOEgQAVU8cpCvUdYRLV4ZHf5QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>... is Jurgens saying we can expect to see all the good work he, and Superman series writers Peter J Tomasi and Patrick Gleason have done in recent days crushed by a hairless egomaniac. Nah, Jurgens is far too nice a guy, too much of a grown-up, that ain’t meta-symbolism, it’s just a moment a mayhem. </p><p>And one beautifully captured by Will Conrad, whose panel-to-panel storytelling is all kinds of excellent. The big moments and smaller scenes work equally well, each having their proper weight in the narrative and looking splendid. Take this panel:</p><p><img src="https://lh3.googleusercontent.com/-Cy7IyHBQrdY/Wu22ETMr7ZI/AAAAAAAAeSw/ATJmoZCFE3o2tr0uyu_3pGdS6NR--RmHgCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Right there we have a sense of the weight and bulkiness of Lex’ warsuit, Lois’ mixture of panic and grit - and what a great detail that she’s lost her shoes while falling through the air. Or check out that pic of Superman flying away from Jon, above - you can see the tension in his knuckles. Small details help make great artists. The colours are provided by Wil Quintana, who captures the various moods of story and settings, while letterer Rob Leigh provides the usual sharp words. </p><p>Conrad and colourist Ivan Nunes provide the cover, showing a fighting-mad Superman confronting his shadowy foe. For once, the heat vision eyes cliche is justified, and it looks brilliant. </p><p>This issue also has a couple of back-ups. Suprema Est Lex is a flashback tale showing Lex at the White House Correspondents’ Dinner, where Lois and Clark are among the speech-makers ‘roasting’ those around them. Its seriously awkward stuff, the jokes are excruciating, but I understand that these things actually happen. Anyway, Lex is among the targets. </p><p><img src="https://lh3.googleusercontent.com/-q8q25fB4Bfg/Wu2zgwV9wuI/AAAAAAAAeSM/BftNnXxFepUHMnM8eJd-NyD8jncvEymjwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The result. He decides to stand for President. </p><p>Mark Russell hasn’t written a terrible story, but it is puzzling. Why explain a plot point that dates back to 2001? I suppose the key moment is this. <br></p><p><span id="selectionBoundary_1525527483472_1510275535965564" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-IVoz5VbXGE4/Wu20GkgH2HI/AAAAAAAAeSc/kcG2TzHJgOwYhKj6Mykzh2kska0Ak_EywCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Lex can’t laugh at himself, ergo, he’s a psychopath. But haven’t we known that for nearly 80 years Why are Lois and Clark even at the do, I don’t know, were they ever political hacks? Mind, according to Rich Johnston over at Bleeding Cool: ‘It is said that President Obama’s jokes about Donald Trump at the White House Correspondents’ Dinner in 2011 so offended Trump, that it persuaded him to double down and win the election, as well as destroy any legacy of Obama’s Presidency.’ Which would make this short story a little heavy handed. </p><p>Ah well, it’s an OK read, and the art by Jill Thompson and colourist Romulo Fajardo Jr is pretty nice, but it reads as filler. </p><p>The final story really is filler - it was originally part of last year’s DCU Holiday Special, then pulled for reasons that never came out, though some of us saw it in the digital edition before it was updated and wiped out like Earth 3 in a Crisis. </p><p><img src="https://lh3.googleusercontent.com/-rvEvpZnk8u4/Wu20SzIjyYI/AAAAAAAAeSg/R7VMEl-JLzsh8ShAnTplLaVdNPWkqFuwACHMYCw/%255BUNSET%255D" alt=""><br></p><p>But as fillers go, it’s really rather excellent, a lovely little tale in which Superman shows compassion to a man taking the wrong path, and gives Lois a truly special Christmas gift. It’s great work all round from writer Max Landis, artist Francis Manapul and letterer Steve Wands. </p><p>All in all, Action Comics Special #1 is a terrific ending to an era. Everyone involved produces good, if not great, work, but it’s Dan Jurgens’s issue. He’s been involved with Superman on the artistic and writing sides since 1987 and his work still has the energy of a tyro. Anyone want to bet against him returning to Superman within a few years? Bring it on!</p><p>///////</p><p><b><i>Action Comics Special #1 review, Dan Jurgens, Will Conrad, Wil Quintana, Rob Leigh, Mark Russell, Romulo Fajardo Jr, Jill Thompson, Max Landis, Francis Manapul, Ivan Nunes</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com15tag:blogger.com,1999:blog-6392489189136721402.post-5121735201882141402018-05-02T19:58:00.025+01:002018-05-02T20:50:19.101+01:00DC Nation #0 review <p><span id="selectionBoundary_1525288655030_11193008761912226" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-VfRA3JJL4vM/WuoPp8LnddI/AAAAAAAAeQI/SiG4Cl95cKwoXhkCrZmLo5XQ9hYm7HIPgCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-hoFqqiUZOhE/WuoPzlq-KSI/AAAAAAAAeQQ/EZW63sYxGNIIcB7dW3ALDRf3qLIigzSQACHMYCw/%255BUNSET%255D" alt=""><br></p><span id="selectionBoundary_1525288953346_3892239977347527" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><p>It's Free Comic Book Day this weekend, and to celebrate DC has produced an all-new book showcasing their biggest storylines of the summer. OK, while it's gratis as a digital download, it's not quite free in shops, but 25 cents for a book of this quality is nothing to sneeze at.</p><p>And it <i>is</i> quality. The book opens with, to quote the contents page, 'Batman in Your Big Day'. Well, that's a joke, as there's not a whiff of the Caped Crusader, this is a Joker showcase all the way. But it is part of the bigger story taking place in Batman's own book, which has Bruce Wayne and Selina Kyle preparing to get hitched. The Joker's heard 'from a banana' that Batman is getting married, so he's waiting for his invitation. At the home of a complete stranger - to him AND Batman.</p><p>It's really rather painful watching everyday chap Roger Martello tormented by the Joker's gags as they wait for the mail to arrive; Roger knows there won't be an invitation - and what will the Joker do then? Just look at the guy's face <i>before</i> the inevitable disappointment.</p><p><img src="https://lh3.googleusercontent.com/-Hb23I9Wn6E4/WuoK7yabshI/AAAAAAAAePA/BadzLjX6YNI7dHn99xc9oTKxS_FGm9-9wCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-CyJFEH4ODeI/WuoLCIqdBlI/AAAAAAAAePE/6FvGUZRbGHsdn2u-j1TDKgadn3FIy0y4QCHMYCw/%255BUNSET%255D" alt=""><br></p><p>This is a quietly taut thriller from writer Tom King, artist Clay Mann, colourist Jordie Bellaire and letterer Clayton Cowles, nicely paced, a feast for the eyes and guaranteed to brings a few more readers to the nuptials of Bat and Cat. But will the Joker be there? And if so, will he sit on the bride or groom's side?</p><p>The Justice League summer event, No Justice - in which heroes and villains gather at the behest of Brainiac to stop cosmic giants out to destroy Earth - gets a preview. We join the four motley crews - Justice Leagues Wonder, Mystery, Entropy and Wisdom - on missions aimed at saving the Computer Conqueror's homeworld of Colu. They believe the Omega Titans, whose visual brings to mind Marvel’s Celestials, are headed for Earth after Colu, so if they can stop them now...</p><p>I’ve not been looking forward to this event, and not just because it seems to have brought the cancellation of Steve Orlando’s quirky, inspirational Justice League of America. It just sounded so silly - not just Darkseid and Lex Luthor on League teams, but Starro the Conqueror? And the lead-in event, Dark Knights: Metal, turned into a bit of a mess after a strong start. </p><p><img src="https://lh3.googleusercontent.com/-77xVGdsc0Ec/WuoLsO9tWYI/AAAAAAAAePQ/pSl4hNwWLg43yluNFe1yld4hbG64MEUiACHMYCw/%255BUNSET%255D" alt=""><br></p><p>The vignettes we get in No Justice: Prelude, though, show the heroes having similar thoughts to me, which suggests co-writers Scott Snyder, James Tynion IV and Joshua Williamson know what they’re doing. So far as we know, this is a four-week deal, meaning whatever more permanent League emerges, it won’t look like a cosmic Suicide Squad. Meanwhile, I get to enjoy a big, daft team-up, with gorgeous art from illustrator Jorge Jimenez and colourist Alejandro Sanchez, complete with the birth of the Supergirl/Green Arrow team</p><p><img src="https://lh3.googleusercontent.com/-OhHJwRsxx50/WuoL6b9XzoI/AAAAAAAAePU/AAXF1nttuh4brpbfmhiGPYxbzRk1QxXiwCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Oh dear, I can’t see a shared series anytime soon, but their cameo is a terrific distillation of their natures - they’re both heroes, but where one is an old cynic, the other always hangs onto hope. </p><p>And finally, our second look at how Brian Bendis will approach Superman now he’s grabbed everything in the Kryptonian toy box. Action Comics #1000 showed how he writes a fight scene, this story focuses on Clark Kent at the Daily Planet. The immediate grabber is the beautiful artwork of DC legend Jose Luis Garcia-Lopez, here inked by Dexter Vines and coloured by Alex Sinclair. The storytelling is perfect, the facial and figure work first rate, the inking crisp and the colouring pops. It’s a typically talky Bendis piece but Garcia-Lopez and friends make Office Space dynamic nonetheless. </p><p>It’s a clever title, as Daily Planet editor Perry White gathers the troops for one of those gatherings that occur regularly in fiction, but rarely in real life; at my newspaper, a mass meeting with the editor means one thing - redundancies. But here there’s room for a new staffer because Lois Lane has gone. This is all we get:</p><p><img src="https://lh3.googleusercontent.com/-Lm3AqbFL4GU/WuoMOSgXMFI/AAAAAAAAePg/x_o2Pek7tVAwJLgNv6EuJuqIOl_5J0gvQCHMYCw/%255BUNSET%255D" alt=""><br></p><p><img src="https://lh3.googleusercontent.com/-U6O-Ts4IWzA/WuoMW_UEvQI/AAAAAAAAePk/i3yu1ZOmhGcwzubNm4N4WdWxQttLvO9-gCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Presumably she’s not dead, or Clark wouldn’t be keeping calm and carrying on, but where is she? Are we going to have to wait until the sixth issue of weekly mini-series Man of Steel before we find out? If Lois, and son Jon, are going to be written out of Clark’s daily life for an extended period, expect a super-hissy fit from me. </p><p>For now, I can appreciate the intrigue incoming reporter Robinson Goode brings to the table. The name is ridiculous - new villain Rogol Zaar is named after Bendis’ doctor, so I’ll assume there’s a Robinson Goode out there who sells him cheese, or something - but I’m always happy when there’s a fly in the Planet ointment. </p><p><img src="https://lh3.googleusercontent.com/-zGDLqzdR8GE/WuoMtIgBSmI/AAAAAAAAePw/aPVQ3bgzCYk-FOGZahLDBJyPr1Amsz-dACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Perry obviously suspects Lois <i>isn’t</i> off writing a book, but Clark is saying nothing. I like how Bendis writes Perry, it’s just a shame Clark can’t open up - he and Lois should have told Perry their secrets the minute they decided they wanted him as Jon’s godfather. </p><p>Jimmy seems a little off, snapping pics of his colleagues without permission, but that could be just Garcia-Lopez adding visual interest. He certainly does this with his character design for another new addition, gossip queen Trish Q, who looks like she’s stepped out of a Mike Sekowsky Wonder Woman or Supergirl story. I already want to know more about her. The final panel says the action continues in Man of Steel #1 at the end of the month - I’d assumed this was a flash forward... I hope we’re not getting a story told via recent flashbacks. Do these people not read my constant whinges about ‘Three days earlier’ and the like? Just keep linear, man!</p><p>Overall, I like how Bendis writes this issue. OK, Clark calling Perry ‘Mr White’ seems bizarre; I’d assumed this was him being ultra-respectful in front of the other staff but he keeps it up behind closed doors. And the idea that colleagues are gossiping about Lois and Clark, perhaps assuming they’ve broken up, saddens me. But the mystery of the missing Lois is elegantly placed, and - with the help of Garcia-Lopez’ packed panels - the newsroom has a real buzz. I understand Action Comics will, in a rather oxymoronic move, be focused on the Planet while the Superman title hosts most of the, well, action. As long as we get two great books, I’m OK with that - and we really <i>do</i> need series that are way above average, given the two best Superman runs in years have ended for the Bendis tenure. Roll on Man of Steel #1. And bring back Lois and Jon, front and centre. </p><p>So that’s DC Nation #0... a steal at 25c. </p><p>////////////////////</p><p><b><i>DC Nation #0 review, Superman, Batman, Justice League: No Justice, Tom King, Clay Mann, Jordie Bellaire, Jose Luis Garcia-Lopez, Dexter Vines, Alex Sinclair, Jorge Jimenez, Alejandro Sanchez, Scott Snyder, James Tynion IV, Joshua Williamson</i></b></p><p><br></p><p><br></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com14tag:blogger.com,1999:blog-6392489189136721402.post-11780821458621527522018-04-26T23:45:00.008+01:002018-04-27T00:01:11.398+01:00Scooby-Doo Team-Up #37 review / DC Digital Scooby-Doo Team-Up chapters #73 and #74 review<p><img src="https://lh3.googleusercontent.com/-Kwoym8jJe_Q/WuJWrLiGFZI/AAAAAAAAeNw/I3pcNHKEdPE2PJoHwQOjcX5QI-7rkdenACHMYCw/%255BUNSET%255D" alt=""><br></p><p>The ghosts of Krypton are haunting Midvale, so who you gonna call? Mystery Inc!</p><p><img src="https://lh3.googleusercontent.com/-0h2yL3nVsuA/WuJXdoDE6OI/AAAAAAAAeOA/KPYEwhXei3oxYjdrTppsmvDkY92j0cY-ACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Having worked with Fred, Velma, Shaggy, Daphne and Scooby-Doo previously, Supergirl knows she can trust them with her secrets.</p><p><span id="selectionBoundary_1524782778483_45234365297270396" class="rangySelectionBoundary" style="line-height: 0; display: none;"></span><img src="https://lh3.googleusercontent.com/-3e8CMOPqwMc/WuJXAxO3ZVI/AAAAAAAAeN4/oJoi_IxC4yMcUVpkEzHs7m2NK6GYKefewCHMYCw/%255BUNSET%255D" alt=""><br></p><p>The spectral figures from Argo City disappear as unexpectedly as they pop up, but before the gang can get down to the business of clue-hunting, Scooby gets distracted. Super-distracted.</p><p><img src="https://lh3.googleusercontent.com/-uxfFRMM0Xks/WuJX8XA6uxI/AAAAAAAAeOI/PvrtmlsNFrMqUF-Kpz7kCSvDoWREP4TmQCHMYCw/%255BUNSET%255D" alt=""><br></p><p>These pets don't like one another, but soon Scooby is on an equal footing with Streaky. </p><p><img src="https://lh3.googleusercontent.com/-7h3j2TofLEI/WuJYNW-Su0I/AAAAAAAAeOQ/RgAZd2j_cUcFzCUpJ9EBLBB7_YIrcgpugCHMYCw/%255BUNSET%255D" alt=""><br></p><p>Kara manages to pull the bad-tempered powered pets apart, and comes up with a theory as to where the super-powers come from.</p><p><img src="https://lh3.googleusercontent.com/-y31URG-F8cw/WuJZmnYP_jI/AAAAAAAAeOk/pL4YIgDFC3MqX9D_7BWZDgcqG2KuBTyoACHMYCw/%255BUNSET%255D" alt=""><br></p><p>Just in time for another appearance by the ghosts of Krypton.</p><p>Well, that's the synopsis for the first digital chapter, which equals half the print issue. And what an issue it is, as we bask in early Bronze Age Supergirl continuity, around the time of Scooby's TV debut. There's Fred and Edna Danvers, Streaky the Supercat, that callback to Kara's attempt to find a cure for green K poisoning... the only wrong note is that the story title page pretty much gives away the identity of the surprise villain. Happily, I'd not looked at it, meaning that when they appeared my day was well and truly made.</p><p>It's another wonderful issue from writer Sholly Fisch, artist Dario Brizuela, colourist Franco Riesco and letterer Saida Temofonte, edited by Kristy Quinn, and just what I need in the month yet another Supergirl series is dumped by DC. OK, so Streaky has the blue cape he wears on TV rather than the comics red, and Supergirl's belt isn't quite of the period - this is a dynamic, amusing mystery that uses Kara's classic continuity to bring us a story that could easily have appeared during her Adventure Comics run... well, Scooby and pals apart!</p><p>And the good news is that the conclusion pretty much promises another team-up between Supergirl and Mystery Inc. I cannot wait!</p><p>/////////////</p><p><b><i>Scooby-Doo Team-Up #37 review / DC Digital Scooby-Doo Team-Up chapters #73 and #74 review, Sholly Fisch, Dario Brizuela, Franco Riesco, Saida Temofonte, Kristy Quinn</i></b></p><p></p>Martin Grayhttp://www.blogger.com/profile/09574149543260175962noreply@blogger.com4