And it's downtime in the company of a new friend, as Irishwoman in New York Siobhan Smythe takes Kara under her wing. And vice versa - she loves being flown around, high and fast, by the superheroine. What's more, she can understand Kara's Kryptonian speech, having a supernatural gift for languages. Kara tells Siobhan about lost Krypton, Siobhan reveals that she's an orphan too, trying to make it as a singer in the big city. And as Kara needs somewhere to stay, Siobhan invites her into her humble - and very untidy - abode.
Later, Kara accompanies Siobhan to her coffee shop gig, where the audience are enchanted first by an Irish ballad, then by an Irish badass - guess whose da is indeed dead, and loving it? The Black Banshee seems more than a match for a Supergirl who's weak after her most recent fight. He's pounding her with supernatural energy when another metahuman appears - the Silver Banshee. Siobhan.
In 1985 George Perez drew the death of the original Supergirl. In 2012 he brings new life to her successor. While I don't want regular artist Mahmud Asrar to go anywhere, Perez shows that some comics veterans can keep up with the new kids. And then some. He takes on board Asrar's feisty version of Kara and adds classical elegance, even managing to make the problematic new costume look good. His Kara has all the power of Asrar's and just a little more grace. Which isn't to say he dilutes the scrappy aspects of Kara's character here, as she's ever ready to defend herself from agressors. There's an especially good action moment in which Kara saves Siobhan from bullets that's like no Supergirl scene I've seen. Take a look - click on image to enlarge.
And a big hand, too, for the art team's backgrounds. Perez didn't spend all those years on Avengers and New Teen Titans without learning how to draw the Big Apple, and I should be used to how good how is by now ... but boy, his city streets still take my breath away. And it's not just straightforward backgrounds - the page in which Kara and Siobhan walk to the coffee shop is a perfect evocation of colourful, vibrant and most of all, loud New York.
And Kara looks mad cute in civvies.
Of course, Perez and co aren't working alone, they're interpreting Michael Green and Mike Johnson's script, and terrific material it is too. Kara continues to grow as she tries to understand this strange world, the confusing people in it and her new abilities; there's a wonderfully chucklesome scene in which she encounters Earth telly for the first time. And Siobhan manages to do the spunky and perky thing without being sassy-annoying, while her dear ol' da makes a big impression in his short appearance.
There's not a page here that didn't have me smiling, but the most charming scene sees Siobhan demonstrate that her gift for languages isn't limited to people (maybe she could introduce Kara to a wee ginger cat).
Other things I like are Kara's vulnerabilities - she's a powerhouse, but can get tired. And she's apparently not great with magical creatures. It's all good, not even a member of the Superman Family should be at peak power all the time. That way lies short comics.
Plus, Kara manages to trust someone, the very likable Siobhan. I hope she's around for awhile, even if she does have to play the 'frenemy' on occasion.
Eight issues in and we're finally past Kara's origin. Sure, there'll be growing pains aplenty in future, but to see Kara settling in on Earth is gold. This is easily my favourite issue yet, and yes, I believe I have said that previously. A good sign, surely?
This splendid comic is topped off by the clever cover from Perez and colourist Dave McCaig - that's one tight corset.