Police scientists Barry Allen and Patty Spivot are on a date at a tech symposium when a masked gang bursts in and gasses the guests. Too fast to be affected, Barry changes into the Flash to battle the baddies. Most get away but he manages to grab one and throw him safely into a building as they plunge, having failed to reach the getaway helicopter.
Following an undignified landing, the Flash meets journalist Iris West, before rushing off to hand research scientist Darwin Elias the veeblefetzer the gang took - a portable genome re-coder (free delivery with Amazon Prime). Iris catches up with Barry and harries him to give her the story of why the crook Flash saved is now dead. Barry is more interested in the identity of the deceased - Manuel, a college friend of his with whom he'd lost touch.
Working on the case later that night, Barry is astonished when an intruder accosts him - it's an alive and well Manuel. He's being pursued, and he persuades Barry to follow him out of the window and into the park. Along the way Barry 'trips' and falls into a river, allowing him to become the Flash before catching up with Manuel, who's been run down by hordes of other men ... all of them Manuel.
This book stars a Barry Allen unlike any seen in DC Comics in decades. He's fun - smiling, laid-back, the happy hero I remember from my earliest days of reading comics. I'm still not happy DC is promoting Barry (the Flash I grew up with) at the expense of his successor, Wally West (the Flash who grew up with me). Or that his marriage to Iris West has been erased. But a likeable Barry takes away some of the sting, and I can't say I'll miss the time travelling, body-hopping baggage accrued over the years by Barry and Iris.
And it is nice to see Patty Spivot, one of my old favourite supporting characters, get a featured role here. She's no longer simply Barry's lab assistant, she's his equal, and well able to hold her own against Central City Police Department's male cops.
Iris suffers by comparison, as the most annoying reporter you ever did see - Central City is obviously a competitive news patch. I expect she'll settle down, given time.
Handling the writing duties for the first time, illustrator Francis Manapul and colourist Brian Buccellato impress with a nicely worked plot and zippy dialogue (I suspect they speak it out loud to one another). I've mentioned the likeable characters already; then there's a storyline laced with enjoyable mad science, and fresh uses of Flash's super-speed. Artistically, there are some simply splendid sequences, including a title spread that bursts with energy and dynamism; the fall sequence, in which composition and colour work together to highlight the action; and a page (apparently sponsored by iPad) giving us a bird's eye view of Barry working in his home lab.
The only off-note with the art is Barry's new costume, with its fussy panelling and unnecessary lightning motifs, but that's a design Manapul and Buccellato were handed. Let's hope that over time they sneakily tweak it back to sleekness.
Meanwhile, I'll enjoy the adventures of a Scarlet Speedster reborn.
Following an undignified landing, the Flash meets journalist Iris West, before rushing off to hand research scientist Darwin Elias the veeblefetzer the gang took - a portable genome re-coder (free delivery with Amazon Prime). Iris catches up with Barry and harries him to give her the story of why the crook Flash saved is now dead. Barry is more interested in the identity of the deceased - Manuel, a college friend of his with whom he'd lost touch.
Working on the case later that night, Barry is astonished when an intruder accosts him - it's an alive and well Manuel. He's being pursued, and he persuades Barry to follow him out of the window and into the park. Along the way Barry 'trips' and falls into a river, allowing him to become the Flash before catching up with Manuel, who's been run down by hordes of other men ... all of them Manuel.
This book stars a Barry Allen unlike any seen in DC Comics in decades. He's fun - smiling, laid-back, the happy hero I remember from my earliest days of reading comics. I'm still not happy DC is promoting Barry (the Flash I grew up with) at the expense of his successor, Wally West (the Flash who grew up with me). Or that his marriage to Iris West has been erased. But a likeable Barry takes away some of the sting, and I can't say I'll miss the time travelling, body-hopping baggage accrued over the years by Barry and Iris.
And it is nice to see Patty Spivot, one of my old favourite supporting characters, get a featured role here. She's no longer simply Barry's lab assistant, she's his equal, and well able to hold her own against Central City Police Department's male cops.
Iris suffers by comparison, as the most annoying reporter you ever did see - Central City is obviously a competitive news patch. I expect she'll settle down, given time.
Handling the writing duties for the first time, illustrator Francis Manapul and colourist Brian Buccellato impress with a nicely worked plot and zippy dialogue (I suspect they speak it out loud to one another). I've mentioned the likeable characters already; then there's a storyline laced with enjoyable mad science, and fresh uses of Flash's super-speed. Artistically, there are some simply splendid sequences, including a title spread that bursts with energy and dynamism; the fall sequence, in which composition and colour work together to highlight the action; and a page (apparently sponsored by iPad) giving us a bird's eye view of Barry working in his home lab.
The only off-note with the art is Barry's new costume, with its fussy panelling and unnecessary lightning motifs, but that's a design Manapul and Buccellato were handed. Let's hope that over time they sneakily tweak it back to sleekness.
Meanwhile, I'll enjoy the adventures of a Scarlet Speedster reborn.
I was *very* happy with this issue. I think unhitching him from the "legacy of the Flash" will help Barry shine the way he used to. And erasing his history with Iris (switched bodies, time displacement, and gorilla plastic surgery and all) will help freshen that relationship, if (most likely when) it blossoms again. But I'll be happy if he lingers with Patty for a while!
ReplyDelete(Hopefully this won't keep Wally out of the picture for too long; just the same, a Wally with *his* history erased isn't intrinsically more interesting than Barry, is he?)
This issue left me dizzy [in a good way]...what dashing fun! Found it energising over and above the usual convuluted mess this book is usually in. I thought it an excellent start...reminded me oddly of the 1990s tv show which I enjoyed.
ReplyDeleteI think this is the point - this book was *fun*. Lovely, imaginative design and the tone is just as nice as you say. If you're going to reboot this is how you do it. Manapul's art is rapidly rising to the leagues of Cooke et al.
ReplyDeleteI echo everyone else's sentiments about this book trying to be fun again. I agree with you whole-hardheartedly martin about growing up w/ Wally as the Flash. His story was one of my favorites, and hopefully he'll be brought back and in an intelligent and fun manner. Of course this is Didio's DC we're talking about, the same guy who let Secret Six and Doom Patrol get cancelled for no reason other than to free up space for the stupid Flashpoint story, so I wouldn't get my hopes up.
ReplyDeleteI'm also glad they're making Barry more likeable and not some stiff goody-goody like he used to be; and it's refreshing for him to be single and not attached to Iris...for now.
This comic wins best-of-show for me. Fantastic art and a compelling intro to a new story. A certain former DC writer can't even dream of a comic as dynamic as this.
ReplyDeleteI suppose Wally could pop up at any time as Iris's nephew now she's met Barry, Rob. Just get him standing next to some chemicals and he'll show the Teen Titans Kid Flash (aka likely Bart) how it's done.
ReplyDeleteI've never seen the TV show Karl, but thinking on, I've a feeling I did buy it the other year ... must check out my DVD pile
Isn't fun, fun, Jason? More please, DC.
I'm missing Doom Patrol and Secret Six, Dale. I'd love it if Keith Giffen brought a bit of the DP sensibility to Superman.
Hmm, who do you mean, Keith?
Have to agree with the review here. This was probably the best of my weekly buy pile. But I'd like to get some clarificartion about what did and didn't happen in Barry's past. For example, did Barry die in the Crisis? Was there a COIE at all?
ReplyDeleteEric
You've probably heard by now, Eric, Dan DiDio has announced that the Crises never happened, which makes sense in terms of the reboot giving us younger characters.
ReplyDelete