What that is, exactly, we don't learn in this first issue from writer Jody Houser and artist Tommy Lee Edwards. We see her return to Gotham as Violet after some time away and abuse the press who show up to meet her. We see her as Mother Panic rescue a criminal bodyguard from mobsters working for a guy who buys from an artist who likes to torture people. We see her in flashback on a hunting trip with her father. And we see her being gentle with her mother, who lives with Alzheimer's.
The artist, Gala's, commentary on art may be a meta-moment, trying to say something about the comics form, or it may simply be showing us that here we have a pretentious twonk. I don't know. I was annoyed on page one by Violet's opening narration, and the deliberately messy word balloons letterer John Workman is saddled with, and things never really pick up. I like the vignette with Violet and her mother, and am intrigued by the inset images around the big fight scene, but they're not enough.
I'm not saying this is a bad comic - it's creators may be succeeding in everything they've set out to do - but it's certainly not a good comic for me.
It's this year's Aztek!ReplyDelete
The concept for this sounds great, but as usual, writers of perfectly sound ability seem to have difficulty distinguishing between "headstrong and opinionated" and "complete arsehole I want to punch in the face" characters.
Oh Aztec, that takes me back. As with any comic, I hope it finds its audience but it certainly isn't me.Delete
I've got no beef with the lettering or the art; Workman's my favorite letterer, and I've always liked him over Edwards's work. But yeah, the story didn't grab me either, aside from her interaction with her mother. So Young Animal is 2/4 for me, although in times when there weren't so many other choices I'd keep on with Shade and MP for a few more issues, since there are things I like in each.ReplyDelete
Oh, I'm a big fan of Workman, but the white space seemed more pronounced than usual. I'm 2/4 too - I like DP and I like Cave.Delete